LEADER 03976nam 22006372 450 001 9910806837803321 005 20151002020704.0 010 $a0-7486-7114-5 010 $a1-282-62016-9 010 $a9786612620164 010 $a0-7486-3252-2 024 7 $a10.1515/9780748632527 035 $a(CKB)2560000000011134 035 $a(EBL)536974 035 $a(OCoLC)638860038 035 $a(SSID)ssj0000414078 035 $a(PQKBManifestationID)11302305 035 $a(PQKBTitleCode)TC0000414078 035 $a(PQKBWorkID)10386033 035 $a(PQKB)11773219 035 $a(UkCbUP)CR9780748632527 035 $a(StDuBDS)EDZ0000092803 035 $a(MiAaPQ)EBC536974 035 $a(Au-PeEL)EBL536974 035 $a(CaPaEBR)ebr10391734 035 $a(CaONFJC)MIL262016 035 $a(DE-B1597)615419 035 $a(DE-B1597)9780748632527 035 $a(OCoLC)1306540008 035 $a(EXLCZ)992560000000011134 100 $a20130321d2009|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe cinema of Basil Dearden and Michael Relph /$fAlan Burton and Tim O'Sullivan$b[electronic resource] 210 1$aEdinburgh :$cEdinburgh University Press,$d2009. 215 $a1 online resource (xxi, 353 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 02 Oct 2015). 311 $a0-7486-3289-1 320 $aIncludes bibliographical references (p. [335]-345) and index. 327 $aForeword / James Dearden and Simon Relph -- Biography and career notes -- Introduction : "Two on a tandem" : Dearden and Relph, authorship and British cinema -- Apprenticeship and beyond : comedy traditions and film design -- The formative period : the war years and the ethos of Ealing -- Dramas of masculine adjustment I : tragic melodramas -- Dramas of masculine adjustment II : men in action -- Dramas of social tension and adjustment -- Ethical dilemmas -- The international years -- Appendix : "Inside Ealing" / Michael Relph. 330 $aThis book offers the first full systematic assessment and evaluation of the cinema of this important filmmaking partnership. Dearden and Relph came together at the famous Ealing Studios in the wartime period and became the most prolific production team at the studio, contributing such popular and critically acclaimed films as The Captive Heart (1946), The Blue Lamp (1950) and Pool of London (1951). Later in the 1950s, Dearden and Relph branched out into independent production and became particularly associated with a cycle of controversial social problem films that included Sapphire (1959) and Victim (1961).This new study takes an extensive view of the cinema of Basil Dearden and Michael Relph. It considers in detail their contribution to the celebrated achievements of wartime cinema at Ealing, brings a new focus to their post-war films that addressed masculine adjustment in a period of rapid change, takes a fresh look at the prominent group of social problem films within their work, and offers an original study of their later period of filmmaking for the international market in the 1960s. Attention is also given to the significant place of comedy in their cinema and Michael Relph's considerable achievements as an art director. The book will be of interest to all students of film history and a general readership that takes a keen interest in British cinema. 517 3 $aThe Cinema of Basil Dearden & Michael Relph 606 $aMotion pictures$zGreat Britain$xHistory$y20th century 615 0$aMotion pictures$xHistory 676 $a791.430233092241 700 $aBurton$b Alan$f1962-$01676039 702 $aO'Sullivan$b Tim$f1952- 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910806837803321 996 $aThe cinema of Basil Dearden and Michael Relph$94041937 997 $aUNINA