LEADER 02239nam 2200529 450 001 9910806824303321 005 20200520144314.0 010 $a1-77652-536-1 035 $a(CKB)3710000000058793 035 $a(EBL)1154665 035 $a(OCoLC)831117716 035 $a(SSID)ssj0001159607 035 $a(PQKBManifestationID)11730000 035 $a(PQKBTitleCode)TC0001159607 035 $a(PQKBWorkID)11115366 035 $a(PQKB)10364315 035 $a(MiAaPQ)EBC1154665 035 $a(Au-PeEL)EBL1154665 035 $a(CaPaEBR)ebr10790812 035 $a(EXLCZ)993710000000058793 100 $a20131121h19072012 uy 1 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe guest of Quesnay /$fBooth Tarkington 210 1$a[Auckland, New Zealand] :$cThe Floating Press,$d1907. 210 4$d2012 215 $a1 online resource (241 p.) 300 $aDescription based upon print version of record. 327 $aTitle; Contents; Chapter I; Chapter II; Chapter III; Chapter IV; Chapter V; Chapter VI; Chapter VII; Chapter VIII; Chapter IX; Chapter X; Chapter XI; Chapter XII; Chapter XIII; Chapter XIV; Chapter XV; Chapter XVI; Chapter XVII; Chapter XVIII; Chapter XIX; Chapter XX; Chapter XXI; Chapter XXII; Chapter XXIII 330 $aIn American author Booth Tarkington's best-known novels and stories, he describes the changing of the cultural guard in the United States as the moneyed aristocracy gave way to the up-and-coming robber barons and titans of industry. In The Guest of Quesnay, Tarkington casts his social scrutiny on a different continent, using the figure of an American painter in Paris as a lens through which to explore relationships between European and American attitudes and ideals. 606 $aAmericans$zFrance$vFiction 606 $aPainters$vFiction 607 $aFrance$xSocial life and customs$vFiction 615 0$aAmericans 615 0$aPainters 676 $a818.52 700 $aTarkington$b Booth$f1869-1946.$0438344 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910806824303321 996 $aThe guest of Quesnay$94117623 997 $aUNINA