LEADER 02444nam 2200601 450 001 9910806811103321 005 20200520144314.0 010 $a1-62103-990-0 010 $a1-61703-905-5 035 $a(CKB)2550000001136064 035 $a(StDuBDS)EDZ0000234229 035 $a(MiAaPQ)EBC1181938 035 $a(OCoLC)847763737 035 $a(MdBmJHUP)muse28615 035 $a(Au-PeEL)EBL1181938 035 $a(CaPaEBR)ebr10789476 035 $a(CaONFJC)MIL535767 035 $a(EXLCZ)992550000001136064 100 $a20131114d2013 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $2rdacontent 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aDrawing from life $ememory and subjectivity in comic art /$fedited by Jane Tolmie 210 4$dİ2013 210 1$aJackson, Mississippi :$cUniversity Press of Mississippi,$d2013. 215 $a1 online resource (xxii, 300 pages) $cillustrations (black and white) 311 $a1-306-04516-9 320 $aIncludes bibliographical references and index. 330 8 $aThis study is about autobiography, semi-autobiography, fictionalised autobiography, memory, and self-narration in sequential art, or comics. The book engages with well-known figures such as Art Spiegelman, Marjane Satrapi, and Alison Bechdel; with cult-status figures such as Martin Vaughn James; and with lesser-known works by artists such as Fre?de?ric Boilet. Negotiations between artist/writer/body and drawn/written/text raise questions of how comics construct identity, and are read and perceived, requiring a critical turn towards theorising the comics' viewer. 606 $aMemory in literature 606 $aComic books, strips, etc$xAuthorship 606 $aComic books, strips, etc$xTechnique 606 $aBiography as a literary form 606 $aCartooning$xTechnique 606 $aAutobiography$xAuthorship 615 0$aMemory in literature. 615 0$aComic books, strips, etc.$xAuthorship. 615 0$aComic books, strips, etc.$xTechnique. 615 0$aBiography as a literary form. 615 0$aCartooning$xTechnique. 615 0$aAutobiography$xAuthorship. 676 $a741.5/1 701 $aTolmie$b Jane$01713853 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910806811103321 996 $aDrawing from life$94107162 997 $aUNINA