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200 00$aReadings on audience and textual materiality /$fedited by Graham Allen, Carrie Griffin and Mary O'Connell
205 $a1st ed.
210 1$aLondon ;$aNew York :$cRoutledge,$d2016.
215 $a1 online resource (xiii, 224 pages) $cdigital, PDF file(s)
225 1 $aHistory of the book ;$vno. 8
300 $a"First published 2011 by Pickering & Chatto (Publishers) Ltd."--t.p. verso.
311 $a1-84893-159-X
320 $aIncludes bibliographical references and index.
327 $tIntroduction --$tThe memory and impact of oral performance : shaping the understanding of late medieval readers /$rJohn J. Thompson --$tPrint, miscellaneity and the reader in Robert Herrick's Hesperides /$rRuth Connolly --$tSearching for spectators : from Istoria to history painting /$rLiam Lenihan --$tReturning to the text of Frankenstein /$rGraham Allen --$t'Casualty', Mrs Shelley and seditious libel : cleansing Britain's most corrupt poet of error /$rNora Crook --$tWriting textual materiality : Charles Clark, his books and his bookplate poem /$rCarrie Griffin and Mary O'Connell --$tCharles Dickens's readers and the material circulation of the text /$rRobert McParland --$tVictorian pantomime libretti and the reading audience /$rJill A. Sullivan --$tMaterial modernism and Yeats /$rAlex Davis --$tChanging audiences : the case of the Penguin Ulysses /$rAlistair McCleery --$tThe sound of literature : secondary school teaching on reading aloud and silent reading, 1880-1940 /$rTon van Kalmthout --$tIntermediality : experiencing the virtual text /$rO?rla Murphy.
330 $aThe twelve essays in this edited collection variously examine ways in which the material text helps to direct the reader and shape the experience of the audience. The essays consider texts from later medieval England through to the twenty-first century. Central to the theme of the book is the role of materiality: how the physical object - book, manuscript, libretto - affects the experience of the person reading it.
Essays discuss early readers of manuscripts, digital technology, materiality and meaning, and book and textual cultures. Specific case-studies focus on the authorship of Frankenstein, the impact of the 1969 Penguin edition of Ulysses, the creation of P B Shelley's reading public and the physical incarnations of W B Yeats' poetry.
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200 10$aGendered moods $epsychotropics and society /$fElizabeth Ettore and Elianne Riska
210 $aLondon ;$aNew York $cRoutledge$d1995
215 $a1 online resource (183 p.)
300 $aDescription based upon print version of record.
311 08$a0-415-08213-7
320 $aIncludes bibliographical references (p. [155]-168) and indexes.
327 $aCover; Gendered Moods; Title Page; Copyright Page; Table of Contents; List of tables; Acknowledgements; 1 Introduction: psychotropics and women-setting the scene; 2 New challenges: the medical and sociological discourses; 3 Social scientific perspectives: the 'users' and the 'providers'; 4 Making gender visible: seeing 'layers' in the social construction of psychotropic drug use; 5 Advertising as a representation of gendered moods; 6 Analysing long-term use: users' narratives; 7 Gendered moods and the lay culture; 8 Dependency and the health care system; Bibliography; Name index
327 $aSubject index
330 $aTranquillisers are prescribed to almost twice as many women as men, yet very little gender-based research has been carried out on the social context of their use. Gendered Moods offers the first feminist analysis of the gendered character of psychotropic drug use, based on studies of long-term psychotropic drug users and the content of drug advertising. The authors argue that gender differences in psychotropic drug use are manifestations of the gendered construction of society as a whole, and that, as a result, women are particularly susceptible to being channelled into a state of
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