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100   $a20120507d2012      ub         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aDario Argento /$fL. Andrew Cooper
205   $a1st ed.
210   $aUrbana $cUniversity of Illinois Press$dc2012
215   $a1 online resource (202 p.)
225  0$aContemporary film directors
300   $aDescription based upon print version of record.
311   $a0-252-07874-8 
311   $a0-252-03709-X 
320   $aIncludes bibliographical references and index.
320   $aIncludes filmography.
327   $a""Cover""; ""Title Page""; ""Copyright Page""; ""Contents""; ""Acknowledgments""; ""DARIO ARGENTO: DOING VIOLENCE ON FILM""; ""Against Criticism: Opera and the Stendhal Syndrome""; ""Opera""; ""The Stendhal Syndrome""; ""Against Interpretation: The  First Five Gialli""; ""The Bird with the Crystal Plumage""; ""The Cat o' Nine Tails""; ""Four Flies on Grey Velvet""; ""Deep Red""; ""Tenebre""; ""Against Narrative: The Three Mothers Trilogy and Phenomena""; ""Suspiria""; ""Inferno""; ""Mother of Tears""; ""Phenomena""; ""Against Conventions: From Trauma to Giallo""; ""Trauma""
327   $a""The Stendhal Syndrome (Revisited)""""Sleepless""; ""The Card Player""; ""Do You Like Hitchcock?""; ""Giallo""; ""INTERVIEWS WITH DARIO ARGENTO""; ""Filmography""; ""Bibliography""; ""Index""
330 8 $aItalian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror. Approaching Argento's films as rhetorical statements made through extremes of sound and vision, Cooper places Argento in a tradition of aestheticized horror.
410  0$aContemporary Film Directors
676   $a791.43023309
700   $aCooper$b L. Andrew$f1977-$01660640
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910806205003321
996   $aDario Argento$94015988
997   $aUNINA