LEADER 01101nam0-22003251i-450- 001 990005435570403321 005 20090907162648.0 035 $a000543557 035 $aFED01000543557 035 $a(Aleph)000543557FED01 035 $a000543557 100 $a19990604d1963----km-y0itay50------ba 101 0 $afre 102 $aFR 105 $af-------00--- 200 1 $a<>document inédit sur la Tunisie au 17. siècle$fJean Pignon 210 $aParis$cPresses universitaires de France$d1963 215 $a115 p., 4 tav.$d24 cm 225 1 $aPublications de l'Université de Tunis. 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Wells 205 $a1st ed. 2023. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2023. 215 $a1 online resource (317 pages) 225 1 $aPalgrave Studies in Affect Theory and Literary Criticism,$x2634-632X 311 08$aPrint version: Wells, Marion A. Gender, Affect, and Emotion from Classical to Early Modern Literature Cham : Springer International Publishing AG,c2024 9783031277207 320 $aIncludes bibliographical references and index. 327 $aChapter 1: From Passive Matter to Embodied Affects: Gendering Emotion in the Classical Tradition.-Chapter 2 :Towards an Early Modern Affect Theory: Christian Stoicism and the Augustinian Will in Medieval and Early Modern Thought -- Chapter 3: The Nightingale?s Song: Affective Crisis and the Feminine Cry in Virgil?s Aeneid and Ovid?s Metamorphoses -- Chapter 4: ?In Her Swough?: Thwarted Affect and the Maternal Body in Petrarch, Chaucer, and Christine de Pisan -- Chapter 5: The Return of the Shrew: Sibylline Rage in Shakespeare?s The Winter?s Tale -- Chapter 6: The Tears of Rachel: Lament and Affective Improvisation in Mary Carey?s Spiritual Dialogue, Meditations, and Poems. 330 $aDrawing both on historical accounts of the emotions and on contemporary affect theory, this book explores the intersection of social constructions of sex and gender with the development of norms for emotive speech in literary texts from the classical to the early modern periods. More specifically, the book argues that the influential Stoic theory of the prepassions (as distinct from the passions proper) resonates richly with recent work on affect, emphasizing in similar ways the role of embodied feelings that may exceed available linguistic norms as well as challenging gendered emotion scripts. From the tragic Stoicism of Virgil?s Aeneid to Chaucer?s Stoic-Petrarchan Griselda and the Stoic-inflected attitudes reflected in the work of seventeenth century poet Mary Carey, the Stoic view of the emotions as test-cases for a moralized conception of masculine coherence conflicts with a fluid affective model of feeling that challenges the ideal of emotional self-containment. Marion A. Wells is Henry N. Hudson Professor of English at Middlebury College, USA. Her previous publications include The Secret Wound: Love Melancholy and Early Modern Romance (Stanford UP, 2007). 410 0$aPalgrave Studies in Affect Theory and Literary Criticism,$x2634-632X 606 $aEuropean literature$yRenaissance, 1450-1600 606 $aClassical literature 606 $aLiterature, Ancient 606 $aLiterature$xPhilosophy 606 $aWomen$xHistory 606 $aEarly Modern and Renaissance Literature 606 $aClassical and Antique Literature 606 $aLiterary Theory 606 $aWomen's History / History of Gender 615 0$aEuropean literature 615 0$aClassical literature. 615 0$aLiterature, Ancient. 615 0$aLiterature$xPhilosophy. 615 0$aWomen$xHistory. 615 14$aEarly Modern and Renaissance Literature. 615 24$aClassical and Antique Literature. 615 24$aLiterary Theory. 615 24$aWomen's History / History of Gender. 676 $a636.005 700 $aWells$b Marion A.$01579911 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910805582003321 996 $aGender, Affect, and Emotion from Classical to Early Modern Literature$93882688 997 $aUNINA