LEADER 04668nam 2200841Ia 450 001 9910454338303321 005 20200520144314.0 010 $a1-282-59425-7 010 $a9786612594250 010 $a90-420-2901-3 010 $a1-4416-0647-5 024 7 $a10.1163/9789042029019 035 $a(CKB)1000000000755797 035 $a(EBL)556364 035 $a(OCoLC)649903302 035 $a(SSID)ssj0000101807 035 $a(PQKBManifestationID)12025804 035 $a(PQKBTitleCode)TC0000101807 035 $a(PQKBWorkID)10043194 035 $a(PQKB)11773207 035 $a(MiAaPQ)EBC556364 035 $a(OCoLC)318632744 035 $a(nllekb)BRILL9789042029019 035 $a(Au-PeEL)EBL556364 035 $a(CaPaEBR)ebr10380311 035 $a(CaONFJC)MIL259425 035 $a(EXLCZ)991000000000755797 100 $a20090326d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAmbiguous subjects$b[electronic resource] $edissolution and metamorphosis in the postmodern sublime /$fJennifer Wawrzinek 210 $aAmsterdam ;$aNew York, NY $cRodopi$d2008 215 $a1 online resource (157 p.) 225 1 $aGenus--gender in modern culture ;$v10 300 $aOriginally presented the author's thesis (Ph. D.)--University of Melbourne, 2008. 311 $a90-420-2548-4 320 $aIncludes bibliographical references. 327 $aPreliminary Material -- Sublime Politics -- The Haunting of Transcendence -- Translation as Erotic Surrender: Nicole Brossard?s Radical Other in Le Désert mauve -- Navigating the Contingent Subject in Morgan Yasbincek?s liv -- ?When I?m Up There It Feels Like Heaven?: Aerial Bodies and The Women?s Circus Secrets -- A New Transcendental -- Works Cited. 330 $aIn the history of ideas, the aesthetic categories of the sublime and the grotesque have exerted a powerful force over the cultural imagination. Ambiguous Subjects is one of the first studies to examine the relationship between these concepts. Tracing the history of the sublime from the eighteenth century through Burke and Kant, Wawrzinek illustrates the ways in which the sublime has traditionally been privileged as an inherently masculine and imperialist mode of experience that polices and abjects the grotesque to the margins of acceptable discourse, and the way in which twentieth-century reconfigurations of the sublime increasingly enable the productive situating of these concepts within a dialogic relation as a means of instating an ethical relation to others. This book examines the articulations of both the sublime and the grotesque in three postmodern texts. Looking at novels by Nicole Brossard and Morgan Yasbincek, and the performance work of The Women?s Circus, Wawrzinek illuminates the ways in which these writers and performers restructure the spatial and temporal parameters of the sublime in order to allow various forms of highly contingent transcendence that always necessarily remain in relation to the grotesque body. Ambiguous Subjects illustrates how the sublime and the grotesque can co-exist in a manner where each depends on and is inflected through the other, thus enabling a notion of individuality and of community as contingent, but nevertheless very real, moments in time. Ambiguous Subjects is essential reading for anyone interested in aesthetics, continental philosophy, gender studies, literary theory, sociology and politics. 410 0$aGenus--gender in modern culture ;$v10. 606 $aExperience in literature 606 $aGrotesque in literature 606 $aHuman body (Philosophy) 606 $aHuman body in literature 606 $aMind and body 606 $aPostmodernism (Literature) 606 $aSubjectivity in literature 606 $aSublime, The, in literature 606 $aSublime, The 606 $aTranscendence (Philosophy) in literature 608 $aElectronic books. 615 0$aExperience in literature. 615 0$aGrotesque in literature. 615 0$aHuman body (Philosophy) 615 0$aHuman body in literature. 615 0$aMind and body. 615 0$aPostmodernism (Literature) 615 0$aSubjectivity in literature. 615 0$aSublime, The, in literature. 615 0$aSublime, The. 615 0$aTranscendence (Philosophy) in literature. 676 $a111.85 700 $aWawrzinek$b Jennifer$0880257 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910454338303321 996 $aAmbiguous subjects$91965386 997 $aUNINA LEADER 01045cam--2200349---450 001 990003612360203316 005 20201118100403.0 010 $a978-88-15-14956-5 035 $a000361236 035 $aUSA01000361236 035 $a(ALEPH)000361236USA01 035 $a000361236 100 $a20120118d2011----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $aa|||||||001yy 200 1 $aBisanzio e le crociate$fGiorgio Ravegnani 210 $aBologna$cIl mulino$d2011 215 $a173 p.$cill.$d21 cm 225 2 $aUniversale paperbacks Il mulino$v602 410 0$12001$aUniversale paperbacks Il mulino$v602 606 0 $aImpero d'Oriente$xEffetti [delle] Crociate$2BNCF 676 $a949.503 700 1$aRAVEGNANI,$bGiorgio$f<1948- >$035187 801 0$aIT$bsalbc$gISBD 912 $a990003612360203316 951 $aX.1.B. 1401$b234840 L.M.$cX.1.$d00305549 951 $aX.1.B. 1401 a$b232062 L.M.$cX.1.$d00307499 959 $aBK 969 $aUMA 996 $aBisanzio e le crociate$91137415 997 $aUNISA LEADER 00830nam0 2200301 450 001 9910805501003321 005 20240220123907.0 010 $a978889104713 100 $a20180608d2024---- km y0itay50 ba 101 1 $aita$ceng 102 $aIT 105 $ay 001yy 200 1 $aMicroeconomia$fRobert S. Pindyck, Daniel L. Rubenfeld 205 $a9. ed. 210 $aMilano$cPearson$d2024 215 $aXXIII, 713 p.$d26 cm 454 $12001$aMicroeconomics$91509520 676 $a338.5$v23$zita 700 1$aPindyck$bRobert S.$0117280 701 1$aRubinfield$bRobert$0750120 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910805501003321 952 $a338.5 PIN 2024-A$fSES 952 $a338.5 PIN 2024-B$fSES 959 $aSES 996 $aMicroeconomics$91509520 997 $aUNINA LEADER 04083nam 22006135 450 001 9910633930603321 005 20251009105823.0 010 $a9783031190360$b(electronic bk.) 010 $z9783031190353 024 7 $a10.1007/978-3-031-19036-0 035 $a(MiAaPQ)EBC7151646 035 $a(Au-PeEL)EBL7151646 035 $a(CKB)25554146000041 035 $a(DE-He213)978-3-031-19036-0 035 $a(EXLCZ)9925554146000041 100 $a20221202d2022 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAllegory in Enlightenment Britain $eLiterary Abominations /$fby Jason J. Gulya 205 $a1st ed. 2022. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2022. 215 $a1 online resource (107 pages) 225 1 $aPalgrave pivot 311 08$aPrint version: Gulya, Jason J. Allegory in Enlightenment Britain Cham : Springer International Publishing AG,c2023 9783031190353 320 $aIncludes bibliographical references and index. 327 $a1 Introduction: How the British Enlightenment Transformed Allegory -- 2 How Bunyan?s Anxieties About Allegory Sparked a Culture of Experimentation -- 3 How Dryden Created an Abomination that Would Haunt the Next Century -- 4 How Prose Experiments Dissected Allegory -- 5 How Critics Retrofitted Rules for Allegory. 330 $a"Offering a fresh, nuanced reading, Jason Gulya argues that the death of allegory during the Enlightenment has been greatly exaggerated. He illustrates how writers adapted allegory, a genre he sees as supple enough to accommodate the new and experimental ways of understanding the world that characterizes Enlightenment thinking and writing." -Sharon Harrow, Professor of English at Shippensburg University of Pennsylvania, USA. This Palgrave Pivot argues for the significance of allegory in Enlightenment writing. While eighteenth-century allegory has often been dismissed as an inadequate form, both in its time and in later scholarship, this short book reveals how Enlightenment writers adapted allegory to the cultural changes of the time. It examines how these writers analyzed earlier allegories with scientific precision and broke up allegory into parts to combine it with other genres. These experimentations in allegory reflected the effects of empiricism, secularization and a modern aesthetic that were transforming Enlightenment culture. Using a broad range of examples ? including classics of the genre, eighteenth-century texts and periodicals ? this book argues that the eighteenth century helped make allegory the flexible, protean literary form it is today. Jason J. Gulya is Professor of English at Berkeley College, USA, where he teaches courses on literature, composition, film, and the humanities more broadly. Over the last decade, he has taught at Berkeley, Rutgers University, Raritan Valley Community College, and Brookdale Community College. As a professor, he has earned various prestigious awards, including his college?s Faculty of the Year Award for Excellence in Teaching in 2020 and Rutgers University?s Dissertation Teaching Award in 2015. 410 0$aPalgrave pivot. . 606 $aLiterature, Modern$y18th century 606 $aLanguage and languages$xStyle 606 $aRhetoric 606 $aAdaptation (Literary, artistic, etc.) 606 $aEighteenth-Century Literature 606 $aRhetorics 606 $aAdaptation Studies 615 0$aLiterature, Modern 615 0$aLanguage and languages$xStyle. 615 0$aRhetoric. 615 0$aAdaptation (Literary, artistic, etc.) 615 14$aEighteenth-Century Literature. 615 24$aRhetorics. 615 24$aAdaptation Studies. 676 $a809.915 676 $a820.915 700 $aGulya$b Jason J.$01271398 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910633930603321 996 $aAllegory in Enlightenment Britain$92995186 997 $aUNINA