LEADER 04075oam 2200685I 450 001 9910800044203321 005 20230725025239.0 010 $a1-136-89792-5 010 $a1-136-71579-7 010 $a1-136-89793-3 010 $a1-282-91905-9 010 $a1-78034-816-9 010 $a9786612919053 010 $a0-203-84132-8 024 7 $a10.4324/9780203841327 035 $a(CKB)2670000000052520 035 $a(EBL)592933 035 $a(OCoLC)680036591 035 $a(SSID)ssj0000427481 035 $a(PQKBManifestationID)12146626 035 $a(PQKBTitleCode)TC0000427481 035 $a(PQKBWorkID)10406947 035 $a(PQKB)10355064 035 $a(MiAaPQ)EBC592933 035 $a(Au-PeEL)EBL592933 035 $a(CaPaEBR)ebr10428053 035 $a(CaONFJC)MIL291905 035 $a(OCoLC)854966031 035 $a(EXLCZ)992670000000052520 100 $a20180706d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe Routledge companion to research in the arts /$fedited by Michael Biggs and Henrik Karlsson in collaboration with Stiftelsen Riksbankens Jubileumsfond, Stockholm 205 $a1st ed. 210 1$aNew York :$cRoutledge,$d2011. 215 $a1 online resource (488 p.) 300 $aDescription based upon print version of record. 311 $a0-415-69794-8 311 $a0-415-58169-9 320 $aIncludes bibliographical references and index. 327 $aBOOK COVER; TITLE; COPYRIGHT; CONTENTS; ILLUSTRATIONS; LIST OF CONTRIBUTORS; EDITORS' PREFACE; FOREWORD01; FOREWORD02; PART I: FOUNDATIONS; 1 UNIVERSITY POLITICS AND PRACTICE-BASED RESEARCH; 2 PLEADING FOR PLURALITY: ARTISTIC AND OTHER KINDS OF RESEARCH; 3 THE PRODUCTION OF KNOWLEDGE IN ARTISTIC RESEARCH; 4 SOME NOTES ON MODE 1 AND MODE 2: ADVERSARIES OR DIALOGUE PARTNERS?; 5 COMMUNITIES, VALUES, CONVENTIONS AND ACTIONS; 6 ARTISTIC COGNITION AND CREATIVITY; 7 THE ROLE OF THE ARTEFACT AND FRAMEWORKS FOR PRACTICE-BASED RESEARCH; PART II: VOICES; 8 EMBODIED KNOWING THROUGH ART 327 $a9 RHETORIC: WRITING, READING AND PRODUCING THE VISUAL10 RESEARCH AND THE SELF; 11 ADDRESSING THE 'ANCIENT QUARREL': CREATIVE WRITING AS RESEARCH; 12 THE VIRTUAL AND THE PHYSICAL: A PHENOMENOLOGICAL APPROACH TO PERFORMANCE RESEARCH; 13 NAVIGATING IN HETEROGENEITY: ARCHITECTURAL THINKING AND ART-BASED RESEARCH; 14 INSIGHT AND RIGOUR: A FREUDO-LACANIAN APPROACH; 15 TRANSFORMATIONAL PRACTICE: ON THE PLACE OF MATERIAL NOVELTY IN ARTISTIC CHANGE; 16 TIME AND INTERACTION: RESEARCH THROUGH NON-VISUAL ARTS AND MEDIA; 17 THINKING ABOUT ART AFTER THE MEDIA: RESEARCH AS PRACTISED CULTURE OF EXPERIMENT 327 $aPART III: CONTEXTS18 CHARACTERISTICS OF VISUAL AND PERFORMING ARTS; 19 DIFFERENTIAL ICONOGRAPHY; 20 WRITING AND THE PhD IN FINE ART; 21 RESEARCH TRAINING IN THE CREATIVE ARTS AND DESIGN; 22 NO COPYRIGHT AND NO CULTURAL CONGLOMERATES: NEW OPPORTUNITIES FOR ARTISTS; 23 EVALUATING QUALITY IN ARTISTIC RESEARCH; REFERENCES; INDEX 330 $aThe Routledge Companion to Research in the Arts is a major collection of new writings on research in the creative and performing arts by leading authorities from around the world. It provides theoretical and practical approaches to identifying, structuring and resolving some of the key issues in the debate about the nature of research in the arts which have surfaced during the establishment of this subject over the last decade.Contributions are located in the contemporary intellectual environment of research in the arts, and more widely in the universities, in the str 606 $aArts$xResearch 615 0$aArts$xResearch. 676 $a700.72 701 $aBiggs$b Michael$g(Michael A. R.)$0382169 701 $aKarlsson$b Henrik$01587082 712 02$aRiksbankens jubileumsfond. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910800044203321 996 $aThe Routledge companion to research in the arts$93874427 997 $aUNINA