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100   $a20120305d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aNew Games$b[electronic resource] $ePostmodernism After Contemporary Art /$fPamela M. Lee ; With an introduction by Johanna Burton
210   $aHoboken $cRoutledge$d2013
215   $a1 online resource (289 pages) $cillustrations
225 1 $aTheories of Modernism and Postmodernism in the Visual Arts
300   $aDescription based upon print version of record.
311   $a0-415-98879-9 
320   $aIncludes index.
327   $aFront Cover; New Games; Copyright Page; Contents; List of Figures; Series Preface; Foreword by Johanna Burton; Acknowledgments; Introduction: Postmodernism, an Incomplete Project; 1. Postmodernism After "The Contemporary"; 2. New Games; 3. Game Show; Conclusion: Mixed Hopes, Mixed Strategies; Seminar; Index
330   $aPamela M. Lee's New Games revisits postmodernism in light of art history's more recent embrace of "the contemporary." What can the theories and practices associated with postmodernism tell us about the obsession with the contemporary in both the academy and the art world? In looking at work by Dara Birnbaum, O?yvind Fahlstro?m and Richard Serra, among others, Lee returns to Jean-Francois Lyotard's canonical text The Postmodern Condition as a means to understand more recent art-critical interests in interactivity, collectivism and neo-liberalism. She reads Lyotard's well-kn
410  0$aTheories of Modernism and Postmodernism in the Visual Arts,$vv.4
606   $aPostmodernism
606   $aVisual Arts$2HILCC
606   $aArt, Architecture & Applied Arts$2HILCC
606   $aVisual Arts - General$2HILCC
615  0$aPostmodernism
615  7$aVisual Arts
615  7$aArt, Architecture & Applied Arts
615  7$aVisual Arts - General
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700   $aLee$b Pamela M$01587309
702   $aBurton$b Johanna
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801  1$bAU-PeEL
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801  2$bCaOLU
906   $aBOOK
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