LEADER 03194nam 2200577Ia 450 001 9910800000603321 005 20230421043425.0 010 $a1-138-46697-2 010 $a1-134-90500-9 010 $a1-280-05704-1 010 $a0-203-35953-4 035 $a(CKB)1000000000251805 035 $a(EBL)179298 035 $a(OCoLC)818851998 035 $a(SSID)ssj0000071130 035 $a(PQKBManifestationID)11109723 035 $a(PQKBTitleCode)TC0000071130 035 $a(PQKBWorkID)10070514 035 $a(PQKB)10734242 035 $a(MiAaPQ)EBC179298 035 $a(Au-PeEL)EBL179298 035 $a(CaPaEBR)ebr10099728 035 $a(CaONFJC)MIL5704 035 $a(EXLCZ)991000000000251805 100 $a19920225d1992 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMeaning by Shakespeare$b[electronic resource] /$fTerence Hawkes 210 $aLondon ;$aNew York $cRoutledge$d1992 215 $a1 online resource (188 p.) 300 $aDescription based upon print version of record. 311 $a0-203-37629-3 311 $a0-415-07451-7 320 $aIncludes bibliographical references and index. 327 $aBook Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgements; 1 By; Into the Mousetrap; Marking the play; A pragmatism; Enter the Prince; 2 Or; Nedar; Older women; One more time; Same difference; The naming of parts; Wall; Author! Author!; Mr Asquith's smile; Round or round the mulberry bush; 3 Shakespeare and the General Strike; Criticism on strike; Over the top; March on Rome; Birthday Bard; Enter 'Shakespeare'; You ain't heard nothing yet; 4 Take me to your Leda; Crash; Goodnight, Vienna; Legal fiction; Putting on some English; Swan-song; 5 Slow, slow, quick quick, slow 327 $aWhispering grassSweethearts on Parade; You came a long way from St Louis; Brush up your Shakespeare; The Eagle Rock; Here Comes the Bride; The Original Dixieland One-Step; 6 Lear's Maps; Meantime; Old times; New times; Wartime; Big time; Whirligig; 7 Bardbiz; Postscript; Notes; 1 By; 2 Or; 3 Shakespeare and the General Strike; 4 Take me to your Leda; 5 Slow, slow, quick quick, slow; 6 Lear's maps; 7 Bardbiz; Index 330 $aWe traditionally assume that the `meaning' of each of Shakespeares plays is bequeathed to it by the Bard. It is as if, to the information which used to be given in theatrical programmes, `Cigarettes by Abdullah, Costumes by Motley, Music by Mendelssohn', we should add `Meaning by Shakespeare'. These essays rest on a different, almost opposite, principle. Developing the arguments of the same author's That Shakespearean Rag (1986), they put the case that Shakespeare's plays have no essential meanings, but function as resources which we use to generate meaning. A Midsummer Night' 606 $aReader-response criticism 615 0$aReader-response criticism. 676 $a823.3/3 700 $aHawkes$b Terence$0163953 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910800000603321 996 $aMeaning by Shakespeare$9212996 997 $aUNINA