LEADER 03950nam 2200685Ia 450 001 9910799950903321 005 20230721033142.0 010 $a1-134-00291-2 010 $a1-281-89990-9 010 $a9786611899905 010 $a0-203-89057-4 035 $a(CKB)1000000000551312 035 $a(EBL)367688 035 $a(OCoLC)476202810 035 $a(SSID)ssj0000253216 035 $a(PQKBManifestationID)11207869 035 $a(PQKBTitleCode)TC0000253216 035 $a(PQKBWorkID)10185737 035 $a(PQKB)10706432 035 $a(MiAaPQ)EBC367688 035 $a(Au-PeEL)EBL367688 035 $a(CaPaEBR)ebr10266291 035 $a(CaONFJC)MIL189990 035 $a(EXLCZ)991000000000551312 100 $a20080324d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aSublime economy$b[electronic resource] $eon the intersection of art and economics /$fedited by Jack Amariglio, Joseph W. Childers and Stephen E. Cullenberg 210 $aLondon ;$aNew York $cRoutledge$d2009 215 $a1 online resource (337 p.) 225 1 $aRoutledge frontiers of political economy ;$v111 300 $aDescription based upon print version of record. 311 $a0-415-78121-3 311 $a0-415-77191-9 320 $aIncludes bibliographical references and index. 327 $aBook Cover; Title; Copyright; Contents; List of figures, illustrations, and tables; Contributors; Acknowledgments; Introduction: Sublime economy: on the intersection of art and economics; Part I "Tokens of eccentricity": Value and the aesthetic representation of economy; 1 Tracing the economic: Modern art's construction of economic value; 2 Meaning to say...; 3 Use, value, aesthetics: Gambling with difference/speculating with value; Part II Sublime intercourse: Economics meets aesthetics (and vice versa); 4 Reluctant partners: Aesthetic and market value, 1708-1871 327 $a5 On the contemporaneousness of Roger de Piles' Balance des Peintres6 How aesthetics and economics met in voc ed; 7 Economics meets esthetics in the Bloomsbury Group; 8 Individualism, civilization, and national character in market democracies; 9 Art, fleeing from capitalism: A slightly disputatious interview/conversation; Part III Name your price; 10 Imaginary currencies: Contemporary art on the market-critique, confirmation, or play; 11 The sociology of the new art gallery scene in Chelsea, Manhattan; 12 The lives of cultural goods; Part IV Moral economies and the romance of money 327 $a13 The rhetoric of prostitution14 A heap of worthless fragments: The nineteenth-century literary revaluation of the classical statue; Index 330 $aOver the last two centuries, artists, critics, philosophers and theorists have contributed significantly to such representations of ""the economy"" as sublime. It might even be said that much of the emergence of a distinctly ""modern"" art in the West is inextricably linked to the perception of art's own autonomy and, therefore, its privileged, mostly critical, gaze at the terrible mixture of wonder and horror of capitalist economic practices and institutions. The premise of this collection is that despite this perceptual sharing, ""sublime economy"" has yet to be investigated in a purely c 410 0$aRoutledge frontiers of political economy ;$v111. 606 $aEconomics$xPhilosophy 606 $aArt and society$xEconomic aspects 606 $aValue 615 0$aEconomics$xPhilosophy. 615 0$aArt and society$xEconomic aspects. 615 0$aValue. 676 $a330.01 701 $aAmariglio$b Jack$0266485 701 $aChilders$b Joseph W$01587626 701 $aCullenberg$b Stephen$0266484 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910799950903321 996 $aSublime economy$93875790 997 $aUNINA