LEADER 03190oam 2200445K 450 001 9910799927803321 005 20230817181025.0 010 $a1-000-00861-4 010 $a1-000-00177-6 010 $a0-429-28371-7 035 $a(CKB)4100000008701614 035 $a(MiAaPQ)EBC5824975 035 $a(OCoLC)1109175554 035 $a(OCoLC-P)1109175554 035 $a(FlBoTFG)9780429283710 035 $a(EXLCZ)994100000008701614 100 $a20190717d2019 uy 0 101 0 $aeng 135 $aur|n||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aLiterature and culture of the Chicago Renaissance $epostmodern and postcolonial development /$fedited by Yoshinobu Hakutani 210 1$aNew York, NY :$cRoutledge, Taylor & Francis Group,$d[2019] 210 4$dİ2019 215 $a1 online resource (341 pages) 311 $a0-367-23017-8 330 $aThe Chicago Renaissance has long been considered a less important literary movement than the Harlem Renaissance. While the Harlem Renaissance began and flourished during the 1920s, but faded during the 1930s, the Chicago Renaissance originated between 1890 and 1910, gathered momentum in the 1930s, and paved the way for the postmodern and postcolonial developments in American Literature. To portray Chicago as a modern, spacious, cosmopolitan city, the writers of the Chicago Renaissance developed a new style of writing based on a distinct cultural aesthetic that reflected ethnically diverse sentiments and aspirations. Whereas the Harlem Renaissance was dominated by African American writers, the Chicago Renaissance originated from the interactions between African and European American writers. Much like modern jazz, writings in the movement became a hybrid, cross-cultural product of black and white Americans. The second period of the movement developed at two stages. In the first stage, the older generation of African American writers continued to deal with racial issues. In the second stage, African American writers sought solutions to racism by comparing American culture with other cultures. The younger generation of African American writers, such as Ishmael Reed, Charles Johnson, and Colson Whitehead, followed their predecessors and explored Confucianism, Buddhist Ontology, and Zen. This volume features essays by both veteran African Americanists and upcoming young critics. It is highlighted by essays from scholars located around the globe, such as Toru Kiuchi of Japan, Yupei Zhou of China, Mamoun Alzoubi of Jordan, and Babacar M'Baye of Senegal. It will be invaluable reading for students of Americanists at all levels. 606 $aAmerican literature$zIllinois$zChicago$xHistory and criticism 607 $aChicago (Ill.)$xIntellectual life$y20th century 607 $aChicago (Ill.)$xIn literature 615 0$aAmerican literature$xHistory and criticism. 676 $a810.9977311 702 $aHakutani$b Yoshinobu$f1935- 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910799927803321 996 $aLiterature and culture of the Chicago Renaissance$93874855 997 $aUNINA