LEADER 01251nam--2200349---450- 001 990002140420203316 005 20101118093448.0 035 $a000214042 035 $aUSA01000214042 035 $a(ALEPH)000214042USA01 035 $a000214042 100 $a20041104d1972----km-y0itay0103----ba 101 0 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> disciplina dei tassi passivi$el'esperienza e la dottrina statunitense a confronto con la realtà italiana$fClaudio Demattè 210 $aMilano$cGiuffrè$d1972 215 $aXX, 146 p.$d25 cm 225 2 $aIstituto di economia aziendale dell'Università commerciale L. Bocconi, Milano$hSerie 4$v13 410 0$12001$aIstituto di economia aziendale dell'Università commerciale L. Bocconi, Milano$hSerie 4$v13 454 1$12001 461 1$1001-------$12001 700 1$aDEMATTÈ,$bClaudio$0527312 801 0$aIT$bsalbc$gISBD 912 $a990002140420203316 951 $aXXX.B. Coll. 192/ 25 (X 32 IV 13)$b17812 G.$cXXX.B. Coll. 192/ 25 (X 32 IV)$d00291177 959 $aBK 969 $aGIU 979 $aSIAV5$b10$c20041104$lUSA01$h1242 979 $aRSIAV2$b90$c20101118$lUSA01$h0934 996 $aDisciplina dei tassi passivi$91039659 997 $aUNISA LEADER 02734oam 2200625I 450 001 9910799919903321 005 20230912155134.0 010 $a1-138-40308-3 010 $a1-136-12934-0 010 $a1-283-20962-4 010 $a9786613209627 010 $a0-240-81729-X 024 7 $a10.4324/9780240817293 035 $a(CKB)2670000000099767 035 $a(EBL)745419 035 $a(OCoLC)746495819 035 $a(SSID)ssj0000507885 035 $a(PQKBManifestationID)11328946 035 $a(PQKBTitleCode)TC0000507885 035 $a(PQKBWorkID)10550816 035 $a(PQKB)10358624 035 $a(OCoLC)897451399 035 $a(CaSebORM)9780240817286 035 $a(MiAaPQ)EBC4689069 035 $a(MiAaPQ)EBC745419 035 $a(EXLCZ)992670000000099767 100 $a20180706e20132012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFrame-by-frame stop motion $ethe guide to non-traditional animation techniques /$fTom Gasek 205 $a1st edition 210 1$aAmsterdam :$cFocal Press,$d2013. 215 $a1 online resource (214 p.) 300 $aFirst published in 2012. 311 $a1-136-12933-2 311 $a0-240-81728-1 327 $aMachine generated contents note: Chapter 1: What are the Possibilities? Chapter 2: Shooting Frame by Frame Chapter 3: Pixilation Chapter 4: Time Lapse Chapter 5: Cinematography, Lighting and Composition Chapter 6: Objects, People & Places Chapter 7: The Multiplane Down-shooter Chapter 8: A Sense of Drama Chapter 9: Visual Rhythm Chapter 10: Collage (The Digital Advantage) Chapter 11: Massaging Frames in the Edit Chapter 12: Off to the Market. 330 $aIn a world that is dominated by computer images, alternative stop motion techniques like pixilation, time-lapse photography and down-shooting techniques combined with new technologies offer a new, tangible and exciting approach to animation. With over 25 years professional experience, industry veteran, Tom Gasek presents a comprehensive guide to stop motion animation without the focus on puppetry or model animation. With tips, tricks and hands-on exercises, Frame by Frame will help both experienced and novice filmmakers get the most effective results from this underutilized branch of animat 606 $aAnimation (Cinematography) 615 0$aAnimation (Cinematography) 676 $a006.6 676 $a006.6/96 676 $a006.696 676 $a791.4334 700 $aGasek$b Tom.$01588387 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910799919903321 996 $aFrame-by-frame stop motion$93877904 997 $aUNINA