LEADER 01099nam 2200397 450 001 9910155091203321 005 20230808200856.0 010 $a1-925307-84-0 010 $a1-925293-30-0 035 $a(CKB)3710000000973310 035 $a(MiAaPQ)EBC4770176 035 $a(MiAaPQ)EBC4882028 035 $a(EXLCZ)993710000000973310 100 $a20171129d2016 uy| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aPaul Keating $ethe big-picture leader /$fTroy Bramston 210 1$aMelbourne :$cScribe,$d2016. 215 $a1 online resource (801 pages) 311 $a1-925321-74-6 320 $aIncludes bibliographical references and index. 606 $aPoliticians$zAustralia 607 $aAustralia$xPolitics and government 615 0$aPoliticians 676 $a994.065092 700 $aBramston$b Troy$01378290 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910155091203321 996 $aPaul Keating$93416548 997 $aUNINA LEADER 01553nam0 22002891i 450 001 UON00482738 005 20231205105255.609 100 $a20171117d1964 |0itac50 ba 101 $afre 102 $aSY 105 $a||||b ||||| 200 1 $aExposition des verres Syriens à travers l'histoire$eorganisée à l'occasion du 3e congrès des Journées internationales du verre au Musée National de Damas de 14-21 novembre 1964$f[Direction Générale des Antiquités et des Musées de la R.A.S.] 210 $a[Damas]$cDirection Générale des Antiquites et des Musées$d[1964] 215 $a32 p., [12] c. di tav.$cill.$d24 cm 606 $aVETRI$xARTE ISLAMICA$xMOSTRE$3UONC031707$2FI 606 $aVETRI$xSIRIA$xSTORIA$xMOSTRE$3UONC092616$2FI 620 $aSY$dDamasco$3UONL000182 686 $aARA IX K$cPAESI ARABI - ARTI - VETRI$2A 710 02$aDirection Générale des Antiquités et des Musées$cSiria$3UONV237009$0826478 712 $a*Direction *Générale des *Antiquités et des *Musées $3UONV237009$4650 791 02$aGeneral Directorate of Antiquities and Museums$yDirection Générale des Antiquités et des Musées $3UONV282281 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00482738 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI ARA IX K 007 $eSI 24172 7 007 996 $aExposition des verres Syriens à travers l'histoire$91852407 997 $aUNIOR LEADER 03216nam 22005293 450 001 9910799601303321 005 20230629233028.0 010 $a9781452967950 010 $a1452967954 010 $a9781452967943 010 $a1452967946 035 $a(MiAaPQ)EBC29446706 035 $a(Au-PeEL)EBL29446706 035 $a(CKB)25360961800041 035 $a(OCoLC)1351752618 035 $a(EXLCZ)9925360961800041 100 $a20221120d2023 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDancing Indigenous Worlds $eChoreographies of Relation 205 $a1st ed. 210 1$aMinneapolis :$cUniversity of Minnesota Press,$d2023. 210 4$d©2023. 215 $a1 online resource (408 pages) 311 08$aPrint version: Shea Murphy, Jacqueline Dancing Indigenous Worlds Minneapolis : University of Minnesota Press,c2023 9781517912680 327 $aCover Page -- Title Page -- Copyright Page -- Contents -- Preface -- Introduction -- Choreographing Relationality -- Modern Dance and Modernity/Coloniality -- Recalibrations of Relational Exchange -- Intersections of Dance and Indigenous Studies -- Chapter 1. Choreographies of Relational Reciprocity -- Hosts and Visitors, Aotearoa, 2009 -- Manaakitanga in Motion: Choreographies of Possibility -- Hashtag Mitimiti: Where You At? -- Chapter 2. Choreographies of Perspectival Relationality -- Dance Workshop, Riverside, California, 2006 -- Expansive Relationality/Of Bodies of Elements -- Identities and Accountabilities, 2019 -- Interlude/Pause/Provocation -- Refuge Rock: Otonabee River, Ontario, 2010 -- Chapter 3. Choreographies of Relational Abun-dance -- Precarity -- Abundance and Abun-dance -- Emily Johnson/Catalyst -- Chapter 4. Choreographies of Relational Refusings -- Yirramboi, Melbourne, Australia, 2017 -- Facing Refusal -- Teachings in Listening -- Indigenous Dance Works/Indigenous Dance Making/Indigenous Writing -- Conclusion: Closing and Opening -- Acknowledgments -- Notes -- Bibliography -- Index -- About the Author. 330 $a"Jacqueline Shea Murphy brings contemporary Indigenous dance makers into the spotlight, putting critical dance studies and Indigenous studies in conversation with one another in fresh and exciting new ways. Exploring Indigenous dance from North America and Aotearoa (New Zealand), she shows how dance artists communicate Indigenous ways of being, and generate a political force, engaging Indigenous understandings and histories"--$cProvided by publisher. 606 $aIndian dance 606 $aIndigenous peoples$xSocial life and customs 606 $aDance$xAnthropological aspects 606 $aChoreography$xSocial aspects 615 0$aIndian dance. 615 0$aIndigenous peoples$xSocial life and customs. 615 0$aDance$xAnthropological aspects. 615 0$aChoreography$xSocial aspects. 676 $a306.4/846 700 $aShea Murphy$b Jacqueline$01586703 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910799601303321 996 $aDancing Indigenous Worlds$93873484 997 $aUNINA