LEADER 03456nam 2200493 450 001 9910799601103321 005 20230213053741.0 010 $a1-4529-6808-X 010 $a1-4529-6807-1 035 $a(MiAaPQ)EBC29441880 035 $a(Au-PeEL)EBL29441880 035 $a(CKB)25793038900041 035 $a(EXLCZ)9925793038900041 100 $a20230130d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe new real $emedia and mimesis in Japan from stereographs to emoji /$fJonathan E. Abel 210 1$aMinneapolis, Minnesota :$cUniversity of Minnesota Press,$d[2022] 210 4$dİ2022 215 $a1 online resource (344 pages) 311 08$aPrint version: Abel, Jonathan E. The New Real Namur : University of Minnesota Press,c2023 9781517913915 320 $aIncludes bibliographical references and index. 327 $aWelcome to the New Real! What Media? -- Which Mimesis? Why Japan? -- Stereomimesis: Stereograph, Panoramic Parallax, and the 3D Printing of Nostalgia -- Schizoasthenic Media: Record, Reappropriation, and Copyright -- Copycat Rivalries: Teleplay, Mask, and Violence -- Interpassive Ecomimesis: Gaming the Real -- Mediated Expressions: Emoji's E-mimesis -- Conclusion. The Real Renewed: Rendering Techno-orientalism. 330 $a"Unlocking a vital understanding of how literary studies and media studies overlap and are bound together A synthetic history of new media reception in modern and contemporary Japan, The New Real positions mimesis at the heart of the media concept. Considering both mimicry and representation as the core functions of mediation and remediation, Jonathan E. Abel offers a new model for media studies while explaining the deep and ongoing imbrication of Japan in the history of new media.From stereoscopy in the late nineteenth century to emoji at the dawn of the twenty-first, Abel presents a pioneering history of new media reception in Japan across the analog and digital divide. He argues that there are two realities created by new media: one marketed to us through advertising that proclaims better, faster, and higher-resolution connections to the real; and the other experienced by users whose daily lives and behaviors are subtly transformed by the presence and penetration of the content carried through new media. Intervening in contemporary conversations about virtuality, copyright, copycat violence, and social media, each chapter unfolds with a focus on a single medium or technology, including 3D photographs, the phonograph, television, videogames, and emoji.By highlighting the tendency of the mediated to copy the world and the world to copy the mediated, The New Real provides a new path for analysis of media, culture, and their function in the world"--$cProvided by publisher. 606 $aMass media and technology$zJapan 606 $aMass media and culture$zJapan 606 $aTechnology and civilization$zJapan 615 0$aMass media and technology 615 0$aMass media and culture 615 0$aTechnology and civilization 676 $a302.230952 686 $aSOC052000$2bisacsh 700 $aAbel$b Jonathan E.$f1971-$01505433 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 801 2$bHNK 906 $aBOOK 912 $a9910799601103321 996 $aThe new real$93873482 997 $aUNINA