LEADER 02254nam 2200397 450 001 9910146341803321 005 20230617035342.0 010 $a88-8453-188-8 035 $a(CKB)1000000000280292 035 $a(MH)009493446-0 035 $a(EXLCZ)991000000000280292 100 $a20041022d2004 uy 0 101 0 $aita 135 $auubu#---uuuuu 181 $ctxt$2rdacontent 182 $cn$2rdamedia 183 $anc$2rdacarrier 200 10$aLettere dalla Spagna $esugli epistolari a Oreste Macrí /$fNives Trentini 210 1$aFirenze, Italy :$cFirenze university press,$d2004. 215 $a1 online resource (431 pages) $cdigital, PDF file(s) 225 1 $aBiblioteca digitale. Moderna / Università degli studi di Firenze, Dipartimento di italianistica ;$v3 300 $a"Appendice epistolare : Ramón Ménendez Pidal, Américo Castro, Isabel e Francisco García Lorca. I carteggi a Oreste Macrí"--P. [365]. 311 08$aPrint version: 8884531896 320 $aIncludes bibliographical references (pages [359]-363) and indexes. 330 $aThe book offers a summary of over 1,400 topic letters and Hispanic senders sent to Oreste Macrí over the course of fifty years (1950-1998). The salient events of Macrí's intellectual life emerge (editorial assignments, conferences, translations), and the closeness of his correspondents to the hermetic environment. Alongside Macrí, significant personalities are looming; of poets and critics (Aurora de Albornoz, Joaquín Arce, Pablo Luis Ávila, Am & eacute; rico Castro, Rafael Lapesa, Fernando Lázaro Carreter, Francisco López Estrada, Alonso Zamora Vicente). In an Appendix, the letters of Ramón Men & eacute; ndez Pidal, Am & eacute; rico Castro, Isabel and Francisco García Lorca are collected and annotated. 410 0$aBiblioteca digitale. Moderna / Università degli studi di Firenze, Dipartimento di italianistica ;$v3. 606 $aIntellectuals$zItaly$vCorrespondence 606 $aIntellectuals$zSpain$vCorrespondence 615 0$aIntellectuals 615 0$aIntellectuals 700 $aTrentini$b Nives$0479069 801 0$bUkMaJRU 906 $aBOOK 912 $a9910146341803321 996 $aLettere dalla Spagna$92149111 997 $aUNINA LEADER 03449nam 22005291 450 001 9910798971303321 005 20190626093807.0 010 $a1-350-98702-6 010 $a0-85772-979-9 010 $a0-85772-781-8 024 7 $a10.5040/9781350987029 035 $a(CKB)3710000000915308 035 $a(MiAaPQ)EBC4719369 035 $a(OCoLC)956998233 035 $a(UtOrBLW)bpp09263536 035 $a(EXLCZ)993710000000915308 100 $a20190708d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aLaughter in occupied Palestine $ecomedy and identity in art and film /$fby Chrisoula Lionis 205 $aFirst edition. 210 1$aLondon ;$aNew York :$cI.B. Tauris,$d2016. 215 $a1 online resource (204 pages) $cillustrations 300 $aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily. 311 $a1-78453-288-6 320 $aIncludes bibliographical references and index. 327 $aIntroduction: Why Humour? -- 1. Palestinianess to Palestinianism: Balfour to Beirut -- 2. Double Exile: 1982 - 1993 -- 3. Oslo: Reaching the Punchline -- 4. -- Finding Palestine: Humour and the Delineation of Palestine -- 5. Occupied Laughter: Humour and Statelessness -- 6. Who Is Laughing?: Humour and the Boundaries of Identity. 330 $a"Though the current political situation in Palestine is more serious than ever, contemporary Palestinian art and film is becoming, paradoxically, increasingly funny.In Laughter in Occupied Palestine, Chrisoula Lionis analyses both the impetus behind this shift toward laughter and its consequences, arguing that laughter comes as a response to political uncertainty and the decline in nationalist hope. Revealing the crucial role of laughter in responding to the failure of the peace process and ongoing occupation, she unearths the potential of humour to facilitate understanding and empathy in a time of division. This is the first book to provide a combined overview of Palestinian art and film, showing the ways in which both art forms have developed in response to critical moments in Palestinian history over the last century. These key moments, Lionis argues, have radically transformed contemporary Palestinian collective identity and in turn Palestinian cultural output. Mapping these critical junctions - beginning with the Balfour Declaration of 1917 to the Oslo Accords in 1993 - she explores the historical trajectory of Palestinian art and film, and explains how to the failure of the peace process has led to the present proliferation of humour in Palestinian visual culture."--Bloomsbury Publishing. 606 $aArts$zPalestine 606 $aWit and humor in art 606 $aWit and humor in motion pictures 606 $2The arts: general issues 607 $aPalestine$xSocial life and customs 615 0$aArts 615 0$aWit and humor in art. 615 0$aWit and humor in motion pictures. 676 $a700.417 700 $aLionis$b Chrisoula$01517992 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910798971303321 996 $aLaughter in occupied Palestine$93755302 997 $aUNINA