LEADER 02048nam 2200493 450 001 9910798935603321 005 20200520144314.0 010 $a1-61376-371-9 035 $a(CKB)3710000000954450 035 $a(MiAaPQ)EBC4744412 035 $a(OCoLC)963624574 035 $a(MdBmJHUP)muse53541 035 $a(Au-PeEL)EBL4744412 035 $a(CaPaEBR)ebr11299190 035 $a(OCoLC)964410111 035 $a(EXLCZ)993710000000954450 100 $a20150908h20162016 ub| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aCountry comes to town $ethe music industry and the transformation of Nashville /$fJeremy Hill 210 1$aAmherst :$cUniversity of Massachusetts Press,$d[2016] 210 4$dİ2016 215 $a1 online resource (188 pages) $cillustrations 225 1 $aAmerican popular music 311 $a1-62534-171-7 320 $aIncludes bibliographical references and index. 327 $a"Nothing but realism" : early hillbilly music's blend of rural and urban -- "Country comes to town" : a new urban identity for country music in the 1960s -- "You sound like us but you look like them" : the racial politics of country music in the city of Nashville -- "Country music is wherever the soul of a country music fan is" : Opryland U.S.A. and the importance of "home" in country music -- "They're not as backward as they used to be" : country music's commercial success in the 1990s and the transformation of downtown Nashville. 410 0$aAmerican popular music (Amherst, Mass.) 606 $aCountry music$xHistory and criticism 606 $aMusic trade$zTennessee$zNashville 615 0$aCountry music$xHistory and criticism. 615 0$aMusic trade 676 $a781.64209768/55 700 $aHill$b Jeremy$f1975-$01516638 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910798935603321 996 $aCountry comes to town$93753224 997 $aUNINA