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100   $a20160512d2016      fy|            0
101 0 $aeng
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181   $2rdacontent
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 10$aCapital and popular cinema $ethe dollars are coming! /$fValentina Vitali$b[electronic resource]
210  1$aManchester :$cManchester University Press,$d2016.
215   $a1 online resource $cillustrations (black and white)
300   $aPreviously issued in print: 2016.
311   $a0-7190-9965-X 
320   $aIncludes bibliographical references, filmography and index.
330 8 $aPopular cinema has mostly been discussed from a 'cult' perspective that celebrates uncritically its 'transgressive' qualities. Capital and popular cinema responds to the need for a more solid academic approach by situating 'low' film genres in their economic and culturally-specific contexts and by exploring the interconnections between those contexts, the immediate industrial-financial interests sustaining the films, and the films' aesthetics. Through the examination of three different cycles in film production - the Italian giallo of Mario Bava, the Mexican films of Fernando Mn?dez, and the Hindi horror cinema of the Ramsay Brothers - this book proposes a comparative approach that accounts for the whole of a national film industry's production ('popular' and 'canonic'), and is applicable to the study of film genres globally.
606   $aCult films$xHistory and criticism
606   $aCult films$xEconomic aspects
606   $aMotion picture industry
608   $aCriticism, interpretation, etc.$2fast
615  0$aCult films$xHistory and criticism.
615  0$aCult films$xEconomic aspects.
615  0$aMotion picture industry.
676   $a791.43
700   $aVitali$b Valentina$01556519
801  0$bStDuBDS
801  1$bStDuBDS
906   $aBOOK
912   $a9910798900603321
996   $aCapital and popular cinema$93819250
997   $aUNINA