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Traditional Art History ? Some Aspects of The Problem /$rSteve Edwards --$tMarx? Clarkism /$rSteve Edwards --$tCarmenology /$rSteve Edwards --$tHistory, Time and the Morphology of Critical Language, or Publicola?s Choice /$rSteve Edwards --$tBi-Centennial Literature on Art and the French Revolution /$rSteve Edwards --$tThe Words of Art, the Artist?s Status: Technique and Affectivity in France (1789?98) /$rSteve Edwards --$tFrom Structure to Enigma and Back, Perhaps /$rSteve Edwards --$tCultural Movement and the Paris Commune /$rSteve Edwards --$tThe Sex of French Politics /$rSteve Edwards --$tNo Particular Thing to Mean /$rSteve Edwards --$tWell-Formed Phrases: Some Limits of Meaning in Political Print at the End of the Second Empire /$rSteve Edwards --$tIngres and the Academic Dictionary: An Essay on Ideology and Stupefaction in the Social Formation of the ?Artist? /$rSteve Edwards --$tSuccess Disavowed: The Schools of Design in Mid-Nineteenth-Century Britain (An Allegory) /$rSteve Edwards --$tMurals of the Buvette de la Commune ? A Pictorial Dossier /$rSteve Edwards --$tMusical Moments /$rSteve Edwards --$tParvenu or Palimpsest: Some Tracings of the Jew in Modern France /$rSteve Edwards --$tIl y a des mots qu??on souhaiterait ne plus lire /$rSteve Edwards --$tGay Paris /$rSteve Edwards --$tAmericans Go Home : Which is More American, Paris-Texas or Paris-France? /$rSteve Edwards --$tDown on the Upbeat: Adorno, Benjamin and the Jazz Question /$rSteve Edwards --$tTotal Ellipsis: Zola, Benjamin and the Dialectics of Kitsch /$rSteve Edwards --$tThe Long Run of Modernity, or an Essay in Post-Dating /$rSteve Edwards --$tBenjamin?s Paris, Freud?s Rome: Whose London? /$rSteve Edwards --$tBayreuth, World City? Or: The Provincial Village as Global Denkmal ? /$rSteve Edwards --$tThe Paris Commune of 1871 and Political Print /$rSteve Edwards --$tFor an Artist ? /$rSteve Edwards --$tNo Thing to Regret ? /$rSteve Edwards --$tBibliography of Writings by Adrian Rifkin (to 2012) /$rSteve Edwards --$tBibliography /$rSteve Edwards --$tIndex /$rSteve Edwards. 330 $aThis collection of some 32 articles and essays by Adrian Rifkin were written over a period of forty years. It contains innovative and influential studies of the archives of art, urbanism, music and popular life in France and Britain during the nineteenth and twentieth centuries. Arranged around a number of studies of the representation of the Paris Commune, the book also contains chapters on Edith Piaf?s role in French culture, histories of art education, opera and queer life in the city as well as analytical accounts of the commodity and cultural theory in Adorno and Benjamin. An extended introduction by Steve Edwards works over the questions of uneven time in Marxist cultural theory and the disciplinary formations that underpin many of Rifkin?s essays. 410 0$aHistorical materialism book series ;$v128. 606 $aArts$xPolitical aspects$xHistory$y19th century 606 $aArts$xPolitical aspects$xHistory$y20th century 606 $aArts and society$xHistory$y19th century 606 $aArts and society$xHistory$y20th century 615 0$aArts$xPolitical aspects$xHistory 615 0$aArts$xPolitical aspects$xHistory 615 0$aArts and society$xHistory 615 0$aArts and society$xHistory 676 $a700.9034 700 $aRifkin$b Adrian$0245086 702 $aEdwards$b Steve$f1959- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910798859903321 996 $aCommunards and other cultural histories$93738330 997 $aUNINA