LEADER 04079nam 2200505 450 001 9910798850803321 005 20190826145055.0 024 7 $a10.1163/9789004335493 035 $a(CKB)3710000000951473 035 $a(MiAaPQ)EBC4750773 035 $a 2016043651 035 $a(nllekb)BRILL9789004335493 035 $a(PPN)224900145 035 $a(EXLCZ)993710000000951473 100 $a20161209h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aBrill's companion to the reception of classics in international modernism and the avant-garde /$fedited by Adam J. Goldwyn and James Nikopoulos 210 1$aLeiden, The Netherlands ;$aBoston, [Massachusetts] :$cBrill,$d2017. 210 4$d©2017 215 $a1 online resource (332 pages) 225 1 $aBrill's Companions to Classical Reception,$x2213-1426 ;$vVolume 9 311 $a90-04-27650-5 311 $a90-04-33549-8 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $tPreliminary Material -- $tIntroduction: Modernist Studies at the Crossroads of Classical Reception, Seferis Reads Eliot and Cavafy /$rAdam J. Goldwyn and James Nikopoulos -- $tThe Female Colossus in the New World: Innovations on a Classical Motif in José Martí?s Modernismo /$rTyler Fisher and Jenni Lehtinen -- $tEducating the ?Perfect Imagist?: Greek Literature and Classical Scholarship in the Poetry of H. D. /$rBryan Brinkman and Bartholomew Brinkman -- $tCreating the Modern Rhapsode: The Classics as World Literature in Ezra Pound?s Cantos /$rAdam J. Goldwyn -- $tFrom Ithaca to Magna Graecia, Icaria and Hyperborea ? Some Aspects of the Classical Tradition in the Serbian Avant-Garde /$rBojan Jovi? -- $tGods, Heroes, and Myths: The Use of Classical Imagery in Spanish Avant-Garde Prose /$rJuan Herrero-Senés -- $tThe Classical Ideal in Fernando Pessoa /$rKenneth David Jackson -- $t?Ulysses? Island?: Nóstos as Exile in Salvatore Quasimodo?s Poetry /$rErnesto Livorni -- $tJean Cocteau, Orphée, and the Shock of the Old /$rDavid Hammerbeck -- $tThe Classical Past and ?The History of Ourselves?: Laura Riding?s Trojan Woman /$rAnett Jessop -- $tPlatonic Eros and ?Soul-Leading? in C. S. Lewis /$rSamuel Baker -- $tThe Heideggerian Origins of a Post-Platonist Plato /$rWilliam H. F. Altman -- $tAlbert Camus? Hellenic Heart, between Saint Augustine and Hegel /$rMatthew Sharpe -- $tA Modernist Poet Alludes to an Ancient Historian: George Seferis and Thucydides /$rPolina Tambakaki -- $tThe Wisdom of Myth: Eliot?s ?Ulysses, Order, and Myth? /$rJames Nikopoulos -- $tIndex. 330 $aBrill?s Companion to the Reception of Classics in International Modernism and the Avant-Garde examines how the writers and artists who lived from roughly the last quarter of the nineteenth century to the middle of the twentieth sought to build a new world from the ashes of one marked by two world wars, global economic depression, the rise of nationalism, and the collapse of empires. By surveying the modernist appropriation of Ancient Greece and Rome, the fourteen chapters in this volume demonstrate how the Classics, as foundational texts of the old order, were nevertheless adapted to suit the stylistic innovation and formal experimentation that characterized modernist and avant-garde literature and art. 410 0$aBrill's companions to classical reception ;$vVolume 9. 606 $aLiterature$xClassical influences 606 $aCivilization, Classical, in literature 615 0$aLiterature$xClassical influences. 615 0$aCivilization, Classical, in literature. 676 $a809.9142 702 $aGoldwyn$b Adam J. 702 $aNikopoulos$b James 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910798850803321 996 $aBrill's companion to the reception of classics in international modernism and the avant-garde$91759809 997 $aUNINA