LEADER 01962nam 2200433 450 001 9910798796103321 005 20170924173806.0 010 $a1-4985-2916-X 035 $a(CKB)3710000000851187 035 $a(EBL)4670375 035 $a(MiAaPQ)EBC4670375 035 $a(EXLCZ)993710000000851187 100 $a20160914h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aClassical myth in four films of Alfred Hitchcock /$fMark William Padilla 210 1$aLanham, Maryland :$cLexington Books,$d2016. 210 4$dİ2016 215 $a1 online resource (337 p.) 300 $aDescription based upon print version of record. 311 $a1-4985-2917-8 311 $a1-4985-2915-1 320 $aIncludes bibliographical references and index. 327 $aContents; The Feature Films of Alfred Hitchcock; List of Illustrations; Preface; Introduction; Chapter One. Hestia's Hearths and the Judgment of Paris in The Farmer's Wife; Chapter Two. Eleusinian Mysteries and Heroic Catabasis in the 1934 The Man Who Knew Too Much; Chapter Three. The Heroine Pattern of Cupid and Psyche in Rebecca; Chapter Four. Crisscrossing Strangers on a Train with the Homeric Hymn to Hermes; Appendix. Story Summaries; Bibliography; Index; About the Author 330 $aThis book explores the themes and symbols of classical myth and literature reflected in Alfred Hitchcock's films. Mark W. Padilla examines the classical resonances of four movies, one from each of the filmmaker's first decades. 606 $aMyth in motion pictures 615 0$aMyth in motion pictures. 676 $a791.430233092 700 $aPadilla$b Mark William$01581113 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910798796103321 996 $aClassical myth in four films of Alfred Hitchcock$93862462 997 $aUNINA