LEADER 03702nam 2200541 450 001 9910798696903321 005 20160910090028.0 010 $a1-78533-182-5 024 7 $a10.1515/9781785331824 035 $a(CKB)3710000000830395 035 $a(MiAaPQ)EBC4337983 035 $a(DE-B1597)636449 035 $a(DE-B1597)9781785331824 035 $a(EXLCZ)993710000000830395 100 $a20160903h20162016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aCreativity in transition $epolitics and aesthetics of cultural production across the globe /$fedited by Marus?ka Svas?ek and Birgit Meyer 210 1$aNew York, [New York] ;$aOxford, [England] :$cBerghahn Books,$d2016. 210 4$d©2016 215 $a1 online resource (366 pages) 225 1 $aMaterial Mediations: People and Things in a World of Movement 311 $a1-78533-181-7 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $tFrontmatter -- $tContents -- $tFigures -- $tAcknowledgements -- $tIntroduction: Creativity and Innovation in a World of Movement -- $t1 African Lace: Agency and Transcontinental Interaction in Textile Design -- $t2 Heads Against Hands and Hierarchies of Creativity: Indian Luxury Embroidery Between Craft, Fashion Design and Art -- $t3 THE SOCIAL LIFE OF KOTTAN Baskets: Craft Production, Consumption and Circulation in Tamil Nadu, India -- $t4 Art and the Making of the Creative City of Chennai, India -- $t5 Approximation as Interpretative Appropriation: Guaraní-Inspired Ceramics in Misiones, Argentina -- $t6 Positioned Creativity: Museums, Politics and Indigenous Art in British Columbia and Norway -- $t7 ?We Paint Our Way and the Christian Way Together? Transforming Yolngu and Ngan?gi Art through Creative Ancestral-Christian Practice -- $t8 Undoing Absence through Things: Creative Appropriation and Affective Engagement in an Indian Transnational Setting -- $t9 ?The Eye Likes It? National Identity and the Aesthetics of Attraction Among Sri Lankan Tamil Catholics and Hindus -- $t10 Narratives, Movements, Objects: Aesthetics and Power in Catholic Devotion to Our Lady of Aparecida, Brazil -- $t11 The Art of Imitation: The (Re)Production and Reception of Jesus Pictures in Ghana -- $tAfterword: Creativity in Transition -- $tIndex 330 $aIn an era of intensifying globalization and transnational connectivity, the dynamics of cultural production and the very notion of creativity are in transition. Exploring creative practices in various settings, the book does not only call attention to the spread of modernist discourses of creativity, from the colonial era to the current obsession with ?innovation? in neo-liberal capitalist cultural politics, but also to the less visible practices of copying, recycling and reproduction that occur as part and parcel of creative improvization. 410 0$aMaterial mediations ;$vVolume 6. 606 $aCreation (Literary, artistic, etc.)$xSocial aspects 606 $aOriginality (Aesthetics) 606 $aMaterial culture$xSocial aspects 606 $aCulture and globalization 615 0$aCreation (Literary, artistic, etc.)$xSocial aspects. 615 0$aOriginality (Aesthetics) 615 0$aMaterial culture$xSocial aspects. 615 0$aCulture and globalization. 676 $a306.4/7 702 $aSvasek$b Maruska 702 $aMeyer$b Birgit 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910798696903321 996 $aCreativity in transition$93837981 997 $aUNINA