LEADER 03426nam 22006732 450 001 9910452511703321 005 20211115012129.0 010 $a1-62892-846-8 010 $a1-283-87427-X 010 $a1-4411-4413-7 024 7 $a10.5040/9781628928464 035 $a(CKB)2550000000709855 035 $a(EBL)1099529 035 $a(OCoLC)823724830 035 $a(SSID)ssj0000787256 035 $a(PQKBManifestationID)12364374 035 $a(PQKBTitleCode)TC0000787256 035 $a(PQKBWorkID)10812756 035 $a(PQKB)10308437 035 $a(MiAaPQ)EBC1099529 035 $a(Au-PeEL)EBL1099529 035 $a(CaPaEBR)ebr10638826 035 $a(CaONFJC)MIL418677 035 $a(OCoLC)1194878191 035 $a(UtOrBLW)bpp09257741 035 $a(EXLCZ)992550000000709855 100 $a20120521d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTransmedia television $enew trends in network serial production /$fby M.J. Clarke 210 1$aNew York :$cThe Continuum International Pub. Group Inc,$d2012 210 2$d©2013 215 $a1 recurso en li?nea (257 páginas) 311 $a1-4411-8300-0 311 $a1-4411-6552-5 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Tentpole TV: the comicbook -- tentpole TV: the tie-in novel -- Tentpole TV: the video game -- Tentpole TV: the mobisode -- Lost and mastermind narration -- 24 and tentpole spatiality -- Alias and reflexive uncertainty -- Conclusion. 330 $a"Faced with what many were calling a dying medium, US network television producers became much more aggressive in seeking out alternative business and artistic models in the beginning of this century. Most significantly, many of these producers turned to the emerging field of transmedia (ancillary texts in comicbooks, novels and new media) as a way to bolster and support television products. In this book, the author examines four such programs (24, Alias, Heroes and Lost) and investigates how transmedia was incorporated into both the work and the art of network television production. Split into two complementary parts, the book first paints a picture of how transmedia producers were, or were not, incorporated into creative decision-making centers of these serialized programs. The second section explains how the presence of off-site transmedia texts begins to alter the very narrative construction of the on-air series themselves. Including interviews with the transmedia workers, this groundbreaking study extends the field of television studies into brand new areas, and brings a 'dying medium' into the 21st Century."--Bloomsbury Publishing. 606 $aConvergence (Telecommunication) 606 $aMass media 606 $aTelevision series$zUnited States 606 $aTelevision$xSocial aspects$zUnited States 606 $2Television 608 $aElectronic books. 615 0$aConvergence (Telecommunication) 615 0$aMass media. 615 0$aTelevision series 615 0$aTelevision$xSocial aspects 676 $a791.450973 700 $aClarke$b M. J$g(Michael Jordan),$f1979-$0971609 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910452511703321 996 $aTransmedia television$92208965 997 $aUNINA LEADER 01417nam a2200325|i 4500 001 991003975309707536 005 20030107144455.0 008 011206s1993 it u u itauu 020 $a8811410754 035 $ab11890770-39ule_inst 035 $aEXGIL150631$9ExL 040 $aBiblioteca Interfacoltà$bita 082 0 $a755.20945 100 1 $aChastel, Andre$0339015 245 13$aLa pala d'altare nel Rinascimento /$cAndré Chastel ; a cura di Christiane Lorgues-Lapouge ; prefazione di Enrico Castelnuovo 260 0 $aMilano :$bGarzanti,$c1993 300 $a294 p. :$bill. ;$c30 cm. 500 $aEd. italiana a cura di Giancarlo Coccioli. Tit. orig.: La Pala ou le retable italien des origines à 1500. Trad. di Giancarlo Coccioli e Monica Turrio Baldassarri. 500 $aTit. sul dorso: La pala. 650 4$aPale d'altare$zItalia$ySec. 14.-15. 700 1 $aCastelnuovo, Enrico <1929- > 700 1 $aLorgues-Lapouge, Christiane 740 30$aLa pala 907 $a.b11890770$b02-04-14$c07-01-03 912 $a991003975309707536 945 $aLE002 Ar. 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