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010 $a1-78694-518-5
010 $a1-78138-202-6
035 $a(CKB)3710000000777019
035 $a(UkCbUP)CR9781781382028
035 $a(MiAaPQ)EBC4616305
035 $a(StDuBDS)EDZ0001992444
035 $a(Au-PeEL)EBL4616305
035 $a(CaPaEBR)ebr11240967
035 $a(OCoLC)956277585
035 $a(EXLCZ)993710000000777019
100 $a20170307d2016|||| uy| 0
101 0 $aeng
135 $aur|||||||||||
181 $ctxt$2rdacontent
182 $cc$2rdamedia
183 $acr$2rdacarrier
200 10$aPublishing Africa in French $eliterary institutions and decolonization 1945-1967 /$fRuth Bush$b[electronic resource]
210 1$aLiverpool :$cLiverpool University Press,$d2016.
215 $a1 online resource (ix, 294 pages) $cdigital, PDF file(s)
225 1 $aContemporary French and francophone cultures ;$v37
300 $aTitle from publisher's bibliographic system (viewed on 05 Jun 2017).
311 $a1-78138-195-X
320 $aIncludes bibliographical references and index.
327 $aIntroduction -- Institutions -- 1 Anthologizing the Union frana?ise -- 2 Book-publishing at Prs?ence Africaine -- 3 Literary prize culture -- Mediations -- 4 Authenticity and authorship -- 5 Editorial craft and literary resistance -- 6 Translating Africa in the French republic of letters -- Conclusion -- Appendices -- Notes -- Works cited -- Index.
330 $a
It has become commonplace to note that the global French literary marketplace is dominated by Parisian publishing houses and metropolitan kudos. This study probes the aesthetic and political implications of that assertion by revisiting the history of African literature in post-war France. Extensive archival research is combined with literary analysis to investigate the destabilizing impact of decolonization on legitimate notions of language, authorship and literary value. Mapping connections between institutions such as Pre?sence Africaine, E?ditions du Seuil, Gallimard and the Association des e?crivains de la mer et de l'outre-mer, the author argues that a contested and variegated African literary presence actively shaped the metropolitan publishing scene during this period of transition. In turn, the material aspects of book production and distribution are shown to be inextricably entangled with ongoing debates over the representation of Africa in words. Authors whose work is considered in detail include? Abdoulaye Sadji, Cheikh Hamidou Kane, Christine Garnier, Malick Fall, Chinua Achebe and Peter Abrahams. Publishing Africa in French uses an innovative interdisciplinary methodology to contribute fresh insights to current concerns in French studies, African studies, and postcolonial book history.
410 0$aContemporary French and francophone cultures ;$v37.
606 $aAfrican literature (French)$xPublishing$zFrance$xHistory$y20th century
606 $aAuthors, African$xPublishing$zFrance$xHistory$y20th century
606 $aAuthors, Black$xPublishing$zFrance$xHistory$y20th century
606 $aAuthors and publishers$xPolitical aspects$zFrance$xHistory$y20th century
606 $aPublishers and publishing$zFrance$xHistory$y20th century
615 0$aAfrican literature (French)$xPublishing$xHistory
615 0$aAuthors, African$xPublishing$xHistory
615 0$aAuthors, Black$xPublishing$xHistory
615 0$aAuthors and publishers$xPolitical aspects$xHistory
615 0$aPublishers and publishing$xHistory
676 $a840.996
700 $aBush$b Ruth$f1983-$01504730
801 0$bUkCbUP
801 1$bUkCbUP
906 $aBOOK
912 $a9910798516903321
996 $aPublishing Africa in French$93733880
997 $aUNINA