LEADER 03199nam 2200673Ia 450 001 9910460003803321 005 20200520144314.0 010 $a1-283-05108-7 010 $a9786613051080 010 $a0-8032-3445-7 035 $a(CKB)2670000000069671 035 $a(EBL)635530 035 $a(OCoLC)699475352 035 $a(SSID)ssj0000487054 035 $a(PQKBManifestationID)11293649 035 $a(PQKBTitleCode)TC0000487054 035 $a(PQKBWorkID)10442983 035 $a(PQKB)11155892 035 $a(MiAaPQ)EBC635530 035 $a(OCoLC)798295774 035 $a(MdBmJHUP)muse2481 035 $a(Au-PeEL)EBL635530 035 $a(CaPaEBR)ebr10438075 035 $a(CaONFJC)MIL305108 035 $a(EXLCZ)992670000000069671 100 $a20100625d2010 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aReservation reelism$b[electronic resource] $eredfacing, visual sovereignty, and representations of Native Americans in film /$fMichelle H. Raheja 210 $aLincoln $cUniversity of Nebraska Press$dc2010 215 $a1 online resource (359 p.) 300 $aDescription based upon print version of record. 311 $a0-8032-1126-0 320 $aIncludes bibliographical references (p. [291]-317) and index. 327 $aToward a genealogy of indigenous film theory : reading Hollywood Indians -- Ideologies of (in)visibility : redfacing, gender, and moving images -- Tears and trash : economies of redfacing and the ghostly Indian -- Prophesizing on the virtual reservation : Imprint and It starts with a whisper -- Visual sovereignty, indigenous revisions of ethnography, and Atanarjuat (The fast runner). 330 $aIn this deeply engaging account, Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Ind 606 $aIndians in motion pictures 606 $aIndigenous peoples in motion pictures 606 $aIndians in the motion picture industry$zUnited States 606 $aStereotypes (Social psychology) in motion pictures 606 $aMotion pictures$zUnited States$xHistory$y20th century 608 $aElectronic books. 615 0$aIndians in motion pictures. 615 0$aIndigenous peoples in motion pictures. 615 0$aIndians in the motion picture industry 615 0$aStereotypes (Social psychology) in motion pictures. 615 0$aMotion pictures$xHistory 676 $a302.23089 700 $aRaheja$b Michelle H$01036119 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910460003803321 996 $aReservation reelism$92456262 997 $aUNINA LEADER 03950nam 2200985 450 001 9910798410003321 005 20160924125731.0 010 $a1-78533-225-2 024 7 $a10.1515/9781785332258 035 $a(CKB)3710000000829000 035 $a(MiAaPQ)EBC4405810 035 $a(DE-B1597)637109 035 $a(DE-B1597)9781785332258 035 $a(EXLCZ)993710000000829000 100 $a20160903h20162016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 04$aThe state we're in $ereflecting on democracy's troubles /$fedited by Joanna Cook, Nicholas J. Long and Henrietta L. Moore 210 1$aNew York, [New York] ;$aOxford, [England] :$cBerghahn Books,$d2016. 210 4$dİ2016 215 $a1 online resource (232 pages) 225 1 $aWyse Series in Social Anthropology ;$vVolume 3 311 $a1-78533-224-4 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $tFrontmatter -- $tContents -- $tFigures -- $tAcknowledgements -- $tIntroduction: When Democracy ?Goes Wrong? -- $t1 After (?) Democracy: Time, Space and Affect in Peruvian Political Imaginaries -- $t2 Democracy and the Ethical Imagination -- $t3 Why Indonesians Turn Against Democracy -- $t4 Opposition and Group Formation: Authoritarianism Yesterday and Today -- $t5 Rejecting or Remaking Democratic Practices? Experiences during Times of Crisis in Italy -- $t6 ?The People? and Political Opposition in Post-democracy: Reflections on the Hollowing of Democracy in Greece and Europe -- $t7 Debt Society Consolidated? Post-democratic Subjectivity and its Discontents -- $t8 Politics after Democracy Experiments in Horizontality -- $tIndex 330 $aWhat makes people lose faith in democratic statecraft? The question seems an urgent one. In the first decades of the twenty-first century, citizens across the world have grown increasingly disillusioned with what was once a cherished ideal. Setting out an original theoretical model that explores the relations between democracy, subjectivity and sociality, and exploring its relevance to countries ranging from Kenya to Peru, The State We?re In is a must-read for all political theorists, scholars of democracy, and readers concerned for the future of the democratic ideal. 410 0$aWyse series in social anthropology ;$vVolume 3. 606 $aDemocracy$xSocial aspects 610 $aactivism. 610 $aanthropologist. 610 $aanthropology. 610 $aauthoritarian. 610 $acitizen. 610 $acold war. 610 $acorrupt. 610 $acorruption. 610 $adebt. 610 $ademocracy. 610 $aelections. 610 $aethics. 610 $aeurope. 610 $aglobal. 610 $agreece. 610 $aguilt. 610 $ahenrietta l moore. 610 $aindonesia. 610 $aitaly. 610 $ajaded. 610 $ajoanna cook. 610 $akenya. 610 $anicholas j long. 610 $aoccupy movement. 610 $aopposition. 610 $apasok. 610 $aperu. 610 $apolitical. 610 $apolitics. 610 $apost democracy. 610 $areflection. 610 $asocial movement. 610 $asocial. 610 $asociety. 610 $aspain. 610 $astate. 610 $atheory. 610 $aunited states. 610 $aviolence. 610 $awartime. 610 $aworld history. 610 $axenophobia. 615 0$aDemocracy$xSocial aspects. 676 $a321.8 702 $aCook$b Joanna$f1978- 702 $aLong$b Nicholas J. 702 $aMoore$b Henrietta L.$f1957- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910798410003321 996 $aThe state we're in$93759196 997 $aUNINA