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100   $a20160820h20162016  uy             0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt
182   $cc
183   $acr
200 00$aPerforming Shakespeare in India $eexploring indianness, literatures and cultures  /$fedited by Shormishtha Panja, Babli Moitra Saraf
210  1$aLos Angeles, [California] :$cSage,$d2016.
210  4$d2016
215   $a1 online resource (218 pages) $cillustrations
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a93-5150-974-5 
320   $aIncludes bibliographical references and index.
330 8 $aAn adaptation of Shakespeare's plays as a basis of critical exploration of identity formation in India. Even while a conscious dismantling of colonization was happening since the 19th century, the Indian literati, intellectuals, scholars and dramaturges were engaged in deconstructing the ultimate icon of colonial presence--Shakespeare. This book delves into what constitutes Indianness in the postcolonial context by looking into the text and sub-text of the Bard of Avon's plays adapted in visual culture, translation, stage performance and cinema. The book is an important intervention in the ongoing explorations in social and cultural history, as it explores how Shakespeare has impacted the emergence of regional identities around questions of language and linguistic empowerment in various ways. It reveals an extraordinary negotiation of colonial and postcolonial identity issues--be it in language, in social and cultural practices or in art forms. 
606   $aEnglish drama$xAppreciation$zIndia
606   $aTheater$zIndia$xHistory
610   $aShakespeare, William, 1564-1616
610   $aEnglish Drama
610   $aTheater
610   $aPerforming Arts
610   $aLiterary Criticism
615  0$aEnglish drama$xAppreciation
615  0$aTheater$xHistory.
676   $a792.9/50954
702   $aPanja$b Shormishtha$4edt
702   $aSaraf$b Babli Moitra$4edt
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801  2$bMiAaPQ
906   $aBOOK
912   $a9910798407503321
996   $aPerforming Shakespeare in India$93801305
997   $aUNINA