LEADER 03203nam  2200577   450 
001 9910798362903321
005 20191015111955.0
010   $a9781350986138 : (ebk : Bloomsbury)
024 7 $a10.5040/9781350986138
035   $a(OCoLC)949885328
035   $a(CaBNVSL)9781350986138
035   $a(MiAaPQ)EBC4528938
035   $a(CaBNVSL)mat50986138
035   $a(CKB)3710000000666921
035   $a(EXLCZ)993710000000666921
100   $a20191015e20192016  uy             0
101 0 $aeng
135   $aurun#|||uuuuu
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 10$aDrawing difference $econnections between gender and drawing /$fMarsha Meskimmon and Phil Sawdon
205   $aFirst edition.
210  1$aLondon, England :$cI.B. Tauris & Co. Ltd,$d2016.
210  2$aLondon, England :$cBloomsbury Publishing,$d2019.
215   $aix, 155p. ;$cill
225 1 $aDrawing In
300   $aDescription based upon print version of record.
320   $aIncludes bibliographical references (pages 135-145) and index.
327   $aApproaching: drawing near -- Chapter 1. Dialogue : From dia- 'across' + legein 'speak' -- Chapter 2. Matter : From materia - 'substance' mater: 'origin, source, mother' -- Chapter 3. Open -- Coinciding: drawing to a close without end.
330 8 $a"Drawing has been growing in recognition and stature within contemporary fine art since the mid-1970s. Simultaneously, feminist activism has been widespread, leading to the increased prominence of women in the art world and the acknowledgement of the crucial role played by gender and sexual difference in constituting the subject. This book argues that these developments did not occur in parallel by coincidence. It uses three works from the 1970s, by Annette Messager, Dorothea Rockburne and Carolee Schneeman, to exemplify critical developments in feminist art history and key moments for drawing as a means of expression. These works are further explored in relation to the contemporary drawing practices of Marco Maggi, Sian Bowen, Susan Hauptmann, Cornelia Parker, Christoph Fink and Toba Kheedori. Dividing its analysis into the themes Approaching, Tropes and Coinciding, the book analyses how both drawing and feminist discourse emphasise dialogue, matter and openness. It demonstrates how sexual difference, subjectivity and drawing are connected at an elemental level--and thus how drawing has played a vital role in the articulation of the material and conceptual dynamics of feminism.--"$cPublisher's description.
410  0$aDrawing in.
606   $aDrawing$xPhilosophy
606   $aDrawing$xThemes, motives
606   $aFeminism and art
606   $aWomen in art
606   $2Art & design styles: from c 1960
615  0$aDrawing$xPhilosophy.
615  0$aDrawing$xThemes, motives.
615  0$aFeminism and art.
615  0$aWomen in art.
676   $a741.01
700   $aMeskimmon$b Marsha$0610824
702   $aSawdon$b Phil
712 02$aBloomsbury (Firm),
801  0$bN
801  1$bCaBNVSL
801  2$bCaBNVSL
912   $a9910798362903321
996   $aDrawing difference$93697592
997   $aUNINA