LEADER 00816nam0-22003131i-450- 001 990006207050403321 005 20090120143651.0 035 $a000620705 035 $aFED01000620705 035 $a(Aleph)000620705FED01 035 $a000620705 100 $a20000112d1994----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $a<>processo di Gesù$fPiero Pajardi 210 $aMilano$cGiuffrè$d1994 215 $aXXXI, 143 p.$d21 cm 676 $a232.962 700 1$aPajardi,$bPiero$f<1926-1994>$0109211 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990006207050403321 952 $aIII L 298$b26911*$fFGBC 952 $aIII LL 85$b1173$fDCEC 959 $aDCEC 959 $aFGBC 996 $aProcesso di Gesù$9648151 997 $aUNINA LEADER 03203nam 2200577 450 001 9910798362903321 005 20191015111955.0 010 $a9781350986138 : (ebk : Bloomsbury) 024 7 $a10.5040/9781350986138 035 $a(OCoLC)949885328 035 $a(CaBNVSL)9781350986138 035 $a(MiAaPQ)EBC4528938 035 $a(CaBNVSL)mat50986138 035 $a(CKB)3710000000666921 035 $a(EXLCZ)993710000000666921 100 $a20191015e20192016 uy 0 101 0 $aeng 135 $aurun#|||uuuuu 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aDrawing difference $econnections between gender and drawing /$fMarsha Meskimmon and Phil Sawdon 205 $aFirst edition. 210 1$aLondon, England :$cI.B. Tauris & Co. Ltd,$d2016. 210 2$aLondon, England :$cBloomsbury Publishing,$d2019. 215 $aix, 155p. ;$cill 225 1 $aDrawing In 300 $aDescription based upon print version of record. 320 $aIncludes bibliographical references (pages 135-145) and index. 327 $aApproaching: drawing near -- Chapter 1. Dialogue : From dia- 'across' + legein 'speak' -- Chapter 2. Matter : From materia - 'substance' mater: 'origin, source, mother' -- Chapter 3. Open -- Coinciding: drawing to a close without end. 330 8 $a"Drawing has been growing in recognition and stature within contemporary fine art since the mid-1970s. Simultaneously, feminist activism has been widespread, leading to the increased prominence of women in the art world and the acknowledgement of the crucial role played by gender and sexual difference in constituting the subject. This book argues that these developments did not occur in parallel by coincidence. It uses three works from the 1970s, by Annette Messager, Dorothea Rockburne and Carolee Schneeman, to exemplify critical developments in feminist art history and key moments for drawing as a means of expression. These works are further explored in relation to the contemporary drawing practices of Marco Maggi, Sian Bowen, Susan Hauptmann, Cornelia Parker, Christoph Fink and Toba Kheedori. Dividing its analysis into the themes Approaching, Tropes and Coinciding, the book analyses how both drawing and feminist discourse emphasise dialogue, matter and openness. It demonstrates how sexual difference, subjectivity and drawing are connected at an elemental level--and thus how drawing has played a vital role in the articulation of the material and conceptual dynamics of feminism.--"$cPublisher's description. 410 0$aDrawing in. 606 $aDrawing$xPhilosophy 606 $aDrawing$xThemes, motives 606 $aFeminism and art 606 $aWomen in art 606 $2Art & design styles: from c 1960 615 0$aDrawing$xPhilosophy. 615 0$aDrawing$xThemes, motives. 615 0$aFeminism and art. 615 0$aWomen in art. 676 $a741.01 700 $aMeskimmon$b Marsha$0610824 702 $aSawdon$b Phil 712 02$aBloomsbury (Firm), 801 0$bN 801 1$bCaBNVSL 801 2$bCaBNVSL 912 $a9910798362903321 996 $aDrawing difference$93697592 997 $aUNINA