LEADER 02366nam 2200541 450 001 9910798339503321 005 20170924214040.0 010 $a1-61147-885-5 035 $a(CKB)3710000000726726 035 $a(SSID)ssj0001677973 035 $a(PQKBManifestationID)16486567 035 $a(PQKBTitleCode)TC0001677973 035 $a(PQKBWorkID)14953505 035 $a(PQKB)10441652 035 $a(PQKBManifestationID)16392712 035 $a(PQKBWorkID)14953506 035 $a(PQKB)20834477 035 $a(MiAaPQ)EBC4526896 035 $a(EXLCZ)993710000000726726 100 $a20160629h20162016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLove in the afterlife $eunderground religion at the movies /$fRichard Striner 210 1$aMadison, [Wisconsin] ;$aTeaneck, [New Jersey] :$cFairleigh Dickinson University Press,$d2016. 210 4$dİ2016 215 $a1 online resource (215 pages) $cillustrations, photographs 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-61147-884-7 320 $aIncludes bibliographical references and index. 327 $aPhilosophic and literary sources -- The cultural milieu after World War I and the seminal plays -- The "mythical method" as applied to the plot template of supernatural romance -- Berkeley Square and the philosophic problem of time -- The "second wave" of plays and the milieu of the Second World War -- The ghost and Mrs. Muir and the applications of theology in supernatural romance -- The tradition evolves -- Conclusion: underground religion -- Appendix one: case study: the making of what dreams may come -- Appendix two: other patters in film that justify additional study -- Appendix three: production data for supernatural romances and related films. 606 $aSupernatural in motion pictures 606 $aLove in motion pictures 606 $aReligion in motion pictures 615 0$aSupernatural in motion pictures. 615 0$aLove in motion pictures. 615 0$aReligion in motion pictures. 676 $a791.43/67 700 $aStriner$b Richard$f1950-$01501898 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910798339503321 996 $aLove in the afterlife$93819776 997 $aUNINA