LEADER 05678nam 2200781 450 001 9910798295403321 005 20230126214030.0 010 $a90-04-31498-9 024 7 $a10.1163/9789004314986 035 $a(CKB)3710000000614570 035 $a(EBL)4540536 035 $a(SSID)ssj0001677894 035 $a(PQKBManifestationID)16485824 035 $a(PQKBTitleCode)TC0001677894 035 $a(PQKBWorkID)14875951 035 $a(PQKB)10229316 035 $a(PQKBManifestationID)16278960 035 $a(PQKBWorkID)14875952 035 $a(PQKB)24594180 035 $a(MiAaPQ)EBC4540536 035 $a(nllekb)BRILL9789004314986 035 $a(EXLCZ)993710000000614570 100 $a20160625h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aIdentity, intertextuality, and performance in early modern song culture /$fedited by Dieuwke van der Poel, Louis Peter Grijp and Wim van Anrooij 210 1$aLeiden, Netherlands ;$aBoston, Massachusetts :$cBrill,$d2016. 210 4$d©2016 215 $a1 online resource (397 p.) 225 1 $aIntersections,$x1568-1181 ;$vVolume 43 300 $aDescription based upon print version of record. 311 $a90-04-31497-0 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $tPreliminary Material -- $t1 Introduction /$rLouis Peter Grijp and Dieuwke van der Poel -- $t2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries /$rIngrid Ĺkesson -- $t3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 /$rNelleke Moser -- $t4 Guilielmus Bolognino?s Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion /$rHubert Meeus and Tine de Koninck -- $t5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries /$rFranz-Josef Holznagel -- $t6 ?Social Networking is in Our dna?: Women?s Alba Amicorum as Places to Build and Affirm Group Identities /$rSophie Reinders -- $t7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women?s Alba /$rClara Strijbosch -- $t8 Exploring Love?s Options: Song and Youth Culture in the Sixteenth Century Netherlands /$rDieuwke van der Poel -- $t9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany /$rDavid Robb -- $t10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790?1820) /$rMary-Ann Constantine -- $t11 Folksongs, Conflicts and Social Protest in Early Modern France /$rÉva Guillorel -- $t12 ?Fortune My Foe?: The Circulation of an English Super-Tune /$rChristopher Marsh -- $t13 Samuel Pepys and the Making of Ballad Publics /$rPatricia Fumerton -- $t14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750?1838 /$rAnne Marieke van der Wal -- $tIndex Nominum. 330 $aSinging together is a tried and true method of establishing and maintaining a group?s identity. Identity, Intertextuality, and Performance in Early Modern Song Culture for the first time explores comparatively the dynamic process of group formation through the production and appropriation of songs in various European countries and regions. Drawing on oral, handwritten and printed sources, with examples ranging from 1450 to 1850, the authors investigate intertextual patterns, borrowing of melodies, and performance practices as these manifested themselves in a broad spectrum of genres including ballads, popular songs, hymns and political songs. The volume intends to be a point of departure for further comparative studies in European song culture. Contributors are: Ingrid Ĺkesson, Mary-Ann Constantine, Patricia Fumerton, Louis Peter Grijp, Éva Guillorel, Franz-Josef Holznagel, Tine de Koninck, Christopher Marsh, Hubert Meeus, Nelleke Moser, Dieuwke van der Poel, Sophie Reinders, David Robb, Clara Strijbosch, and Anne Marieke van der Wal. 410 0$aIntersections (Series) ;$vVolume 43. 606 $aVocal music$zEurope$y16th century$xHistory and criticism 606 $aVocal music$zEurope$y17th century$xHistory and criticism 606 $aVocal music$zEurope$y18th century$xHistory and criticism 606 $aVocal music$zEurope$y19th century$xHistory and criticism 606 $aMusic$xSocial aspects$zEurope$xHistory$y16th century 606 $aMusic$xSocial aspects$zEurope$xHistory$y17th century 606 $aMusic$xSocial aspects$zEurope$xHistory$y18th century 606 $aMusic$xSocial aspects$zEurope$xHistory$y19th century 606 $aAutograph albums$zNetherlands$xHistory$y16th century 615 0$aVocal music$xHistory and criticism. 615 0$aVocal music$xHistory and criticism. 615 0$aVocal music$xHistory and criticism. 615 0$aVocal music$xHistory and criticism. 615 0$aMusic$xSocial aspects$xHistory 615 0$aMusic$xSocial aspects$xHistory 615 0$aMusic$xSocial aspects$xHistory 615 0$aMusic$xSocial aspects$xHistory 615 0$aAutograph albums$xHistory 676 $a782.0094 702 $aPoel$b D. E. van der 702 $aGrijp$b Louis Peter 702 $aAnrooij$b W. van 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910798295403321 996 $aIdentity, intertextuality, and performance in early modern song culture$93674228 997 $aUNINA