LEADER 03841nam 22007215 450 001 9910798280203321 005 20230205051310.0 010 $a1-4426-1894-9 010 $a1-4426-1893-0 024 7 $a10.3138/9781442618930 035 $a(CKB)3710000000610505 035 $a(EBL)4424049 035 $a(OCoLC)948393060 035 $a(SSID)ssj0001673875 035 $a(PQKBManifestationID)16472410 035 $a(PQKBTitleCode)TC0001673875 035 $a(PQKBWorkID)15010263 035 $a(PQKB)10680339 035 $a(OOCEL)451126 035 $a(OCoLC)944303974 035 $a(CaBNVSL)thg00970799 035 $a(MiAaPQ)EBC4669873 035 $a(DE-B1597)498507 035 $a(DE-B1597)9781442618930 035 $a(OCoLC)944187409 035 $a(MdBmJHUP)musev2_106621 035 $a(EXLCZ)993710000000610505 100 $a20191221d2018 fg 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGhostly Landscapes $eFilm, Photography, and the Aesthetics of Haunting in Contemporary Spanish Culture /$fPatricia M. Keller 210 1$aToronto : $cUniversity of Toronto Press, $d[2018] 210 4$dİ2016 215 $a1 online resource (277 p.) 225 0 $aToronto Iberic 311 $a1-4426-4888-0 320 $aIncludes bibliographical references (pages [216]-252) and index. 327 $tFrontmatter --$tContents --$tIllustrations --$tAcknowledgments --$tGHOSTLY LANDSCAPES. Film, Photography, and the Aesthetics of Haunting in Contemporary Spanish Culture --$tIntroduction: Ghostly Landscapes --$t1. Documentary Optics: NO-DOs' Archival Gaze and the Totalized Landscape --$t2. Cinematic Apertures: Carlos Saura's Untimely Landscapes --$t3. Photographic Interventions: Two Meditations on Landscape and Loss --$tNotes --$tWorks Cited --$tIndex 330 $aIn Ghostly Landscapes, Patricia M Keller analyses the aesthetics of haunting and the relationship between ideology and image production by revisiting twentieth-century Spanish history through the camera's lens. Through its vision she demonstrates how the traumatic losses of the Spanish Civil War and their systematic denial and burial during the fascist dictatorship have constituted fertile territory for the expressions of loss, uncanny return, and untimeliness that characterize the aesthetic presence of the ghost.Examining fascist documentary newsreels, countercultural art films from the Spanish New Wave, and conceptual landscape photographs created since the transition to democracy, Keller reveals how haunting serves to mourn loss, redefine space and history, and confirm the significance of lives and stories previously hidden or erased. Her richly illustrated book constitutes a significant reevaluation of fascist and post-fascist Spanish visual culture and a unique theorization of haunting as an aesthetic register inextricably connected to the visual and the landscape. 410 0$aToronto Iberic. 606 $aPhotography$zSpain$xHistory$y20th century 606 $aLandscape photography$zSpain$xHistory$y20th century 606 $aHistoriography and photography$zSpain 606 $aArt and history$zSpain 606 $aLoss (Psychology) in art 607 $aSpain$xHistory$yCivil War, 1936-1939$xArt and the war 608 $aLibros electronicos. 615 0$aPhotography$xHistory 615 0$aLandscape photography$xHistory 615 0$aHistoriography and photography 615 0$aArt and history 615 0$aLoss (Psychology) in art. 676 $a770.946 700 $aKeller$b Patricia M., $4aut$4http://id.loc.gov/vocabulary/relators/aut.$082775 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910798280203321 996 $aGhostly Landscapes$93735111 997 $aUNINA