LEADER 02340nam 2200409 450 001 9910136987503321 005 20221206182349.0 010 $a1-61499-554-0 035 $a(CKB)3710000000741668 035 $a(MiAaPQ)EBC5161926 035 $a(EXLCZ)993710000000741668 100 $a20171226h20152015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aFree form technology from Delft /$fMick Eekhout, editor 210 1$aAmsterdam, [The Netherlands] :$cIOS Press,$d2015. 210 4$dİ2015 215 $a1 online resource (192 pages) $cillustrations (some colour) 225 1 $aResearch in Architectural Engineering Series,$x1873-6033 ;$vVolume 14 311 $a1-61499-553-2 320 $aIncludes bibliographical references. 330 $aThe success of the Guggenheim Museum in Bilbao, designed and engineered by Frank O. Gehry and inaugurated in 1997, opened the eyes of the world to the plastic possibilities of Free Form Design. That is, on the side of architects and their admiring clients. Some architects draw up complicated but surprising and attractive Free Form Designs and win design competitions. The next step is to involve the manufacturing industry and the contractors in realizing these dreams. According to the author(s), the desire and logic for an adapted Free Form Technology will become became apparent after more designs. At Mick Eekhout?s design & build company Octatube the first experiences with Free Form Designs either failed, were aborted, were a disaster or led to unfortunate events such as the bankruptcy of competing firms who took on the projects without major Free Form Design experience. But Free Form design has matured nowadays. Many lessons can be learned from these early experiments, which is the main reason to share these experiences with readers of this book. 410 0$aResearch in architectural engineering series ;$vVolume 14. 606 $aArchitectural design$xData processing 615 0$aArchitectural design$xData processing. 676 $a720.285 702 $aEekhout$b Mick 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910136987503321 996 $aFree form technology from Delft$92193239 997 $aUNINA LEADER 03563nam 2200733 450 001 9910798254703321 005 20230323001839.0 010 $a0-8139-3843-0 035 $a(CKB)3710000000617289 035 $a(EBL)4454521 035 $a(OCoLC)945198710 035 $a(SSID)ssj0001649288 035 $a(PQKBManifestationID)16422773 035 $a(PQKBTitleCode)TC0001649288 035 $a(PQKBWorkID)14975315 035 $a(PQKB)10876004 035 $a(MiAaPQ)EBC4454521 035 $a(MdBmJHUP)muse51536 035 $a(Au-PeEL)EBL4454521 035 $a(CaPaEBR)ebr11175919 035 $a(CaONFJC)MIL906889 035 $a(EXLCZ)993710000000617289 100 $a20160112d2016 ub| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSpectacular suffering $ewitnessing slavery in the eighteenth-century British Atlantic /$fRamesh Mallipeddi 210 1$aCharlottesville :$cUniversity of Virginia Press,$d2016. 215 $a1 online resource (280 p.) 300 $aDescription based upon print version of record. 311 $a0-8139-3842-2 320 $aIncludes bibliographical references and index. 327 $aIntroduction: Sentimentalism, capitalist modernity, colonial slavery -- Spectacle, spectatorship, sympathy : Aphra Behn's Oroonoko and the English commercial empire -- Yarico's complaint : the female slave in the eighteenth-century public sphere -- English subjects, African slaves : Laurence Sterne and the politics of punishment -- Reforming labor discipline : slave culture and sentimental fiction -- "A fixed melancholy" : memories of migration in Atlantic slavery -- Filiation to affiliation : kinship and sentiment in Olaudah Equiano's interesting narrative -- Epilogue: The problem of slavery, the problem of freedom. 330 2 $a"An extended analysis of the intersections between the institutional contexts of slavery and the affective structures of sentiment, Spectacular Suffering considers not only how the enslaved subject is constructed, but also how slaves responded to and registered their experiences, creating a measure of autonomy even under the conditions of slavery"--Provided by publisher. 606 $aSlavery$zAmerica$xHistory$y18th century$vSources 606 $aSentimentalism$zAmerica$xHistory$y18th century$vSources 606 $aSuffering$zAmerica$xHistory$y18th century$vSources 606 $aSlavery in literature 606 $aSentimentalism in literature 606 $aSuffering in literature 606 $aEnglish literature$y18th century$xHistory and criticism 606 $aAmerican literature$yColonial period, ca. 1600-1775$xHistory and criticism 606 $aEnslaved persons' writings, American$xHistory and criticism 607 $aGreat Britain$xColonies$zAmerica$xHistory$y18th century$vSources 615 0$aSlavery$xHistory 615 0$aSentimentalism$xHistory 615 0$aSuffering$xHistory 615 0$aSlavery in literature. 615 0$aSentimentalism in literature. 615 0$aSuffering in literature. 615 0$aEnglish literature$xHistory and criticism. 615 0$aAmerican literature$xHistory and criticism. 615 0$aEnslaved persons' writings, American$xHistory and criticism. 676 $a306.3/62097309033 700 $aMallipeddi$b Ramesh$01504590 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910798254703321 996 $aSpectacular suffering$93733673 997 $aUNINA