LEADER 03877nam 2200505 450 001 9910798231903321 005 20230126214322.0 010 $a1-4422-6609-0 035 $a(CKB)3710000000635923 035 $a(EBL)4503385 035 $a(SSID)ssj0001647005 035 $a(PQKBManifestationID)16417244 035 $a(PQKBTitleCode)TC0001647005 035 $a(PQKBWorkID)14846187 035 $a(PQKB)11293917 035 $a(MiAaPQ)EBC4503385 035 $a(EXLCZ)993710000000635923 100 $a20151203d2016 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aDebating Disney $epedagogical perspectives on commercial cinema /$fedited by Douglas Brode and Shea T. Brode 210 1$aLanham :$cRowman & Littlefield,$d2016. 215 $a1 online resource (254 p.) 300 $aDescription based upon print version of record. 311 $a1-4422-6608-2 320 $aIncludes bibliographical references and index. 327 $aIntroduction: pleasure, pedagogy, and popular culture / Douglas Brode -- A less than wonderful "world": challenging Disney myths / Janet Wasko -- Gender and genre: brains, brawn, and masculine desire in Walt Disney's science fiction classic science-fiction film -- James W. Maertens -- The past as product in the present: Disney and the imagineering of history / Scott Schaeffer -- Changing people, altering places: Disney's two Japans / Cynthia J. Miller & A. Bowdoin Van Riper -- "With a smile and a song": Walt Disney and the birth of the American fairytale / Tracy Mollet -- Seeing white: children of color and the Disney fairy tale: Princess / Dorothy l. Hurley -- Seeing black: critical reactions to The princess and the frog / Shea T. Brode -- Objectivism versus altruism---a choice of heroes for the 1950s: Stanley Kramer's High noon (1952) and Walt Disney's Davy Crockett, king of the wild frontier (1954-1955) / Douglas Brode -- "Savages, savages, barely even human": native American representations in Disney films / Myles Russell-Cook -- "Roar!": representations of gender, sexuailty, and race in Walt Disney's The lion king / Georgia Vraketta -- "A family of wolves I knew": Disney's Wonderful world of nature / David Haworth -- "Who's watching the kids?": caregiving and parenting in Disney films / Jeanne Holcomb, Daniel Fernandez-Baca, and Kenzic Lathau -- Cinematic existentialism, political agendas: Walt Disney's Aladdin / Samantha Heydt -- The ambiguous Captain Jack Sparrow: destabilizing gender, politics, and religion in Pirates of the Caribbean / Jennifer Porter -- "Death be not proud": the "Final curtain" in Disney Entertainment / Gary Laderman -- Fantasy worlds and Disney girls: frozen, brave, and re-imagined 21st century romance / Victoria Amador -- Upon a dream once more: beauty redacted in Disney's re-adapted classics / Allison Craven -- Deviance in Disney: of crime and the magic kingdom / Rebecca Rabison -- Anti-semitism, American style and a man named Disney / Douglas Brode. 330 $aDisney continues to be one of the dominant forces of popular culture, not only in America, but worldwide. The company's various films have drawn a mix of admiration and disdain. This collection of essays consider how films produced by Disney represent the best and worst the studio has offered over its nine decade history. 606 $aMotion pictures$xSocial aspects$zUnited States 606 $aAnimated films$xSocial aspects$zUnited States 615 0$aMotion pictures$xSocial aspects 615 0$aAnimated films$xSocial aspects 676 $a384/.80979494 702 $aBrode$b Douglas$f1943- 702 $aBrode$b Shea T.$f1984- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910798231903321 996 $aDebating Disney$93814787 997 $aUNINA