LEADER 06417 am 22007333u 450 001 996210012403316 005 20230621135400.0 035 $a(CKB)2670000000334350 035 $a(SSID)ssj0000986175 035 $a(PQKBManifestationID)11586431 035 $a(PQKBTitleCode)TC0000986175 035 $a(PQKBWorkID)10934182 035 $a(PQKB)10819733 035 $a(WaSeSS)Ind00074903 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/32908 035 $a(EXLCZ)992670000000334350 100 $a20160829h20072007 fy 0 101 0 $ager 135 $aurm|#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aDas Wiener Klavier bis 1850 $eBericht des symposiums "Das Wiener Klavier bis 1850", veranstaltet von der Sammlung alter Musikinstrumente des Kunsthistorischen Museums Wien vom 16. bis 18.10.2003 /$fherausgegeben von Beatrix Darmsta?dter, Alfons Huber, Rudolf Hopfner 210 $aTutzing$cMusikantiquariat und Verlag Hans Schneider$d2008 210 31$aTutzing, Germany :$cVerlegt Bei Hans Schneider,$d2007 210 4$d©2007 215 $a1 online resource (276 pages) $cillustrations (some colour), music; digital, PDF file(s) 300 $aBibliographic Level Mode of Issuance: Monograph 300 $aInternational conference proceedings. 311 08$aPrint version: 379521243X 330 $aThe presented book, the amplified proceedings of the symposium "Das Wiener Klavier 1850", held at Neue Burg (Vienna) in 2003 combines as regards content recent organological and biographical research, answers questions concerning the original-instrument performance of the romantic period and focuses on technological features in the making of the Viennese pianoforte. In the 2nd half of the 18th century Vienna became the European centre of production of pianofortes whereas the typical Viennese pianoforte-sound, evolved from special technological and constructional parameters, acted as a stimulant on composers and interprets. Many instrument makers - some of them originally German - working and living in Vienna contributed to this uplifting evolution with their innovative work for the Austrian Court or simply as civic craftsmen. A quite impressive amount of material about their biographies and contracts was investigated and is an integral part of the publication. With the beginning of the 19th century firms in Paris and London were of utmost importance for the pianoforte industry. Broadwood and Erard for instance in an international terrain and started an early mass-production of instruments based on the English action. Beside these instruments the Viennese pianoforte with its German action could not easily compete with. The book contains the analysis of the manufacturing techniques of the Viennese pianoforte and of the company organisations respectively the corporate structures of the comparatively small businessmen in the Austrian region and the Hapsburg Crown lands particularly with regard to the interactions between the Viennese, German and Italian workshops. Moreover the variants in aesthetic design and development of the Viennese pianofortes until the time by 1850 are pointed out and results of recent dendrochronological research of instruments preserved by renowned collections are published in this book. 330 $aDer vorliegende Band ist der stark erweiterte Bericht des 2003 in dern Neuen Burg Wien abgehaltenen Symposiums "Das Wiener Klavier bis 1850". Inhaltlich verbindet diese Publikation die aktuelle organologische sowie biographische Forschung, beantwortet Fragen zur Aufführungspraxis der Romantik und diskutiert instrumentenbauliche Merkmale des Wiener Klaviers. Ab der 2.Hälfte des 18. Jhs. entwickelte sich Wien zum Zentrum ds Hammerklavierbaus, wobei der typisch wienerische Klavierklang, der aufgrund spezifischer technischer und baulicher Parameter entstand, Inspiration für Komponisten und Interpreten war. Zu dieser Entwicklung trugen vor allem die in Wien ansässigen Instrumentenmacher (Christoph, Leydecker, Moyse, Stein, Streicher etc.) bei, die für den Hof oder als bürgerliche Handwerker tätig waren und innovative Lösungen in den Klavierbau brachten und über deren Biographie Neues berichtet wird. Im frühen 19. Jh. traten neben Wien auch Paris und London mit Firmen auf, die international operierten und größere Stückzahlen auf den Markt brachten. Broadwood und Erard definierten ein neues auf der Stoßzungenmechanik basierendes Klangideal, neben dem sich die Wiener Klaviere mit ihrer Prellzungenmechanik nur schwer behaupten konnten. Im vorliegenden Band werden die fertigungstechnischen Spezifika des Wiener Klaviers sowie die Betriebsorganisation und Unternehmensstruktur der vergleichsweise kleineren Unternehmer im Raum Österreich und den Kronländern analysiert, wobei der gegenseitigen Beeinflussung der Wiener, deutschen und italienischen Werkstätten große Aufmerksamkeit zuteil wird. Weiters werden die Varianten der ästhetischen Entwicklung und des Designs der Wiener Klaviere bis 1850 aufgezeigt, sowie dendrochronologische Untersuchungsergebnisse zu den Instrumenten internationaler renommierter Sammlungen veröffentlicht. 606 $aPiano$xConstruction$zAustria$xHistory$vCongresses 606 $aPiano makers$zAustria$zVienna$xHistory$vCongresses 606 $aMusic$zAustria$zVienna$y19th century$vCongresses 606 $aMusic$2HILCC 606 $aMusic, Dance, Drama & Film$2HILCC 606 $aMusic History & Criticism, General$2HILCC 610 $apianoforte 610 $ahistory of piano 610 $ainstrument makers 610 $apiano design 610 $apiano action 610 $adendrochronology 610 $aKlavier 610 $aOrgel 615 0$aPiano$xConstruction$xHistory 615 0$aPiano makers$xHistory 615 0$aMusic 615 7$aMusic 615 7$aMusic, Dance, Drama & Film 615 7$aMusic History & Criticism, General 676 $a786.2190943613 700 $aDarmstädter$b Beatrix$4auth$0801918 702 $aHuber$b Alfons 702 $aDarmstädter$b Beatrix 702 $aHopfner$b Rudolf 712 02$aKunsthistorisches Museum Wien, 801 0$bPQKB 801 2$bUkMaJRU 906 $aBOOK 912 $a996210012403316 996 $aDas Wiener Klavier bis 1850$93384112 997 $aUNISA LEADER 03700nam 2200685 450 001 9910798228003321 005 20230125225736.0 010 $a1-63157-326-8 035 $a(CKB)3710000000635265 035 $a(OCoLC)946343024 035 $a(CaBNVSL)swl00406367 035 $a(Au-PeEL)EBL4460037 035 $a(CaPaEBR)ebr11187782 035 $a(CaONFJC)MIL908219 035 $a(CaSebORM)9781631573262 035 $a(MiAaPQ)EBC4460037 035 $a(EXLCZ)993710000000635265 100 $a20160410d2016 fy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aLeading the positive organization $eactions, tools, and processes /$fedited by Thomas N. Duening 205 $aFirst edition. 210 1$aNew York, New York (222 East 46th Street, New York, NY 10017) :$cBusiness Expert Press,$d2016. 215 $a1 online resource (198 pages) $cillustrations 225 1 $aHuman resource management and organizational behavior collection,$x1946-5645 311 $a1-63157-325-X 320 $aIncludes bibliographical references and index. 327 $a1. The positive organization: why it's not more of the same / Thomas N. Duening -- Part I. Positive organizational culture -- 2. Organization-based self-esteem: making a difference at work / Donald G. Gardner, Jon L. Pierce -- 3. Building positivity in your organization with psychological capital / Dustin Bluhm -- 4. The role of positive organizational behavior in building a world-class service organization / Andrew J. Czaplewski, Thomas Martin Key, James R. Van Scotter II -- Part II. Positive organizational communications -- 5. Positive organizational climate / Jill Bradley-Geist -- 6. Positive organizational conflict and communication / Kathleen A. Tomlin -- Part III. Positive organizational transformation -- 7. Positive transformational leadership: building positive organizations / D.D. Warrick -- 8. Developing the positive organization: preparation for learning and collaborative learning design / Shawna L. Rogers -- About the authors -- Index. 330 3 $aPositive psychology and positive organizational scholarship have begun to have an impact on the enterprise. It is important for organizational leaders at all levels to understand this powerful new framework. This volume brings together a wide range of organizational scholars who have derived implications from positive research for the modern enterprise. Engaging topics from leadership, to self-esteem, and to conflict resolution, this book provides practical tools, actions, and processes that can be used to create positive organizations. 410 0$aHuman resource management and organizational behavior collection.$x1946-5645 606 $aOrganizational effectiveness 606 $aPositive psychology 606 $aManagement 606 $aSuccess in business 610 $apositive psychology 610 $apositive organizational scholarship 610 $aleadership 610 $apsychological capital 610 $aself-esteem 610 $aconflict management 610 $apositive service organization 610 $apositive communications 610 $aorganizational change 610 $aorganizational development 615 0$aOrganizational effectiveness. 615 0$aPositive psychology. 615 0$aManagement. 615 0$aSuccess in business. 676 $a658.4 702 $aDuening$b Thomas N. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910798228003321 996 $aLeading the positive organization$93676557 997 $aUNINA