LEADER 02036nam0-2200637---450- 001 990000289120403321 005 20141201112337.0 010 $a0-306-40465-6$bvol. 1 010 $a0-306-40466-4$bvol. 2 010 $a0-306-40467-2$bvol. 3 035 $a000028912 035 $aFED01000028912 035 $a(Aleph)000028912FED01 035 $a000028912 100 $a20090224d1980----km-y0itay50------ba 101 0 $aeng 102 $aUS 105 $aa-------101yy 200 1 $aRheology$eVIII international congress on rheology, Naples, September 1-5, 1980$fedited by Giovanni Astarita, Giuseppe Marrucci, Luigi Nicolais 210 $aNew York$cPlenum Press$d1980 215 $a3 v.$cill.$d26 cm 327 1 $a1.: Principles$a2.: Fluids$a3.: Applications 610 0 $aPolimeri$aCongressi$a1980 610 0 $aReologia$aCongressi$a1980 610 0 $aFluidi$aDinamica$aCongressi$a1980 610 0 $aCongressi$aNapoli$a1980 676 $a531.11 702 1$aAstarita,$bGiovanni 702 1$aMarrucci,$bGiuseppe 702 1$aNicolais,$bLuigi$f<1942- > 710 12$aInternational congress on rheology$d<8. ;$f1980 ;$eNapoli>$0332432 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000289120403321 952 $a04 161-90/3$bOPV CI$fDINCH 952 $a04 161-90/1$bOPV CI$fDINCH 952 $a04 161-90/2$bOPV CI$fDINCH 952 $a13 G 04 04$b32316$fFINBC 952 $a13 G 04 05$b32317$fFINBC 952 $a13 G 04 06$b32318$fFINBC 952 $a14 P.014.011$bOmaggio$fDINMP 952 $a14 P.014.012$bOmaggio$fDINMP 952 $a14 P.014.013$bOmaggio$fDINMP 952 $a10 PRO 257/1$b325 DEE$fDINEL 952 $a10 PRO 257/2$b326 DEE$fDINEL 952 $a10 PRO 257/3$b327 DEE$fDINEL 952 $a02 55 C 5$b3529$fFINBN 952 $a02 55 C 6$b3530$fFINBN 952 $a02 55 C 7$b3531$fFINBN 959 $aDINCH 959 $aFINBC 959 $aDINEL 959 $aFINBN 959 $aDINMP 996 $aRheology$9127679 997 $aUNINA LEADER 03558nam 2200553 450 001 9910798196903321 005 20230808191543.0 010 $a1-4766-2343-0 035 $a(CKB)3710000000585027 035 $a(EBL)4385443 035 $a(SSID)ssj0001601059 035 $a(PQKBManifestationID)16313034 035 $a(PQKBTitleCode)TC0001601059 035 $a(PQKBWorkID)14839547 035 $a(PQKB)10540205 035 $a(MiAaPQ)EBC4385443 035 $a(EXLCZ)993710000000585027 100 $a20160215h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aShakespeare's prop room $ean inventory /$fJohn Leland and Alan Baragona ; foreword by Ralph Alan Cohen 210 1$aJefferson, North Carolina :$cMcFarland & Company, Inc., Publishers,$d2016. 210 4$dİ2016 215 $a1 online resource (240 p.) 300 $aDescription based upon print version of record. 311 $a1-4766-6336-X 320 $aIncludes bibliograhical references and index. 327 $aAcknowledgments; Table of Illustrations; Foreword: "Plays and Things"; by Ralph Alan Cohen; Introduction; 1. Bring out your dead: corpses, funerals and skulls; 2. Off with his head: crowns and the heads that wear them; 3. "Exit pursued by a bear" (The Winter's Tale, 3.3.58): Shakespeare's dramatis animalia; 4. "Come, let's away to prison" (Lear, 5.3.8); 5. "There's magic in the web of it" (Othello, 3.4.69): handkerchiefs and napkins; 6. "Come on, then, let's to bed" (Romeo and Juliet, 1.5.125); 7. "The wood began to move" (Macbeth 5.5.34): stage greenery 327 $a8. "Imaginary puissance" (Henry V, Prol. 25): arms and armor9. "Welcome to our table" (As You Like It, 2.7.105): tables and chairs; 10. "The first thing we do, let's kill all the lawyers" (2 Henry VI, 4.2.76): courtrooms and killings; 11. "[O]'er-read these letters / And well consider of them" (2 Henry IV, 3.1.2-3); 12. "This simulation is not as the former" (Twelfth Night, 2.5.138-39): Simulating Places and People on Stage; 13. "What, a hodge-pudding? A bag of flax?" (Merry Wives of Windsor, 5.5.151); Notes; Introduction; 1. Bring out your dead; 2. Off with his head 327 $a3. ""Exit pursued by a bear""4. ""Come, let's away to prison""; 5. ""There's magic in the web of it""; 6. ""Come on, then, let's to bed""; 7. ""The wood began to move""; 8. ""Imaginary puissance""; 9. ""Welcome to our table""; 10. The first thing we do; 11. [O]'er-read these letters""; 12. ""This simulation is not as the former""; 13. ""What, a hodge-pudding?""; Bibliography; List of Names and Terms 330 $a"This study provides the first comprehensive examination of every prop in Shakespeare's plays, whether mentioned in stage directions, indicated in dialogue or implied by the action. The authors delve into numerous historical documents, the business of theater in Renaissance England, and the plays themselves to explain what audiences might have seen"--$cProvided by publisher. 606 $aStage props$zEngland$zLondon$xHistory$y17th century 606 $aTheater$zEngland$zLondon$xHistory$y17th century 615 0$aStage props$xHistory 615 0$aTheater$xHistory 676 $a822.3/3 700 $aLeland$b John$f1950-$01469116 702 $aBaragona$b Alan 702 $aCohen$b Ralph Alan 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910798196903321 996 $aShakespeare's prop room$93787816 997 $aUNINA