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035   $a(Au-PeEL)EBL4535101
035   $a(CaPaEBR)ebr11216104
035   $a(CaONFJC)MIL896766
035   $a(OCoLC)951223811
035   $a(OCoLC)972505056
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100   $a20160621h20152015  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 00$aConflict, identity, and protest in American art /$fedited by Miguel de Baca and Makeda Best
210  1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2015.
210  4$dİ2015
215   $a1 online resource (246 p.)
300   $aIncludes index.
311   $a1-4438-8375-1 
330   $aConflict, Identity, and Protest in American Art explores the powerful relationship between artistic production and cultures of conflict in the United States. Such a theme continues to provoke practitioners and scholars across a range of media and disciplines, especially as definitions of war and protest evolve and change in the twenty-first century. This anthology presents vital discussions of visual works in relationship to national identity, the politics and contexts of artistic production and reception, and the expressive and political function of art within historical periods defined by wa
606   $aArt and society$zUnited States
606   $aArt and social action
606   $aArt, American$xPolitical aspects$zUnited States$xHistory
615  0$aArt and society
615  0$aArt and social action.
615  0$aArt, American$xPolitical aspects$xHistory.
676   $a306.47
702   $ade Baca$b Miguel
702   $aBest$b Makeda
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910798186003321
996   $aConflict, identity, and protest in American art$93784891
997   $aUNINA