LEADER 04062oam 2200697K 450 001 9910798182803321 005 20190503073429.0 010 $a0-262-33498-4 010 $a0-262-33497-6 024 8 $a40025706778 035 $a(CKB)3710000000595800 035 $a(EBL)4410137 035 $a(SSID)ssj0001624130 035 $a(PQKBManifestationID)16362102 035 $a(PQKBTitleCode)TC0001624130 035 $a(PQKBWorkID)14804777 035 $a(PQKB)10956465 035 $a(MiAaPQ)EBC4410137 035 $a(OCoLC)939519611$z(OCoLC)966378128$z(OCoLC)968557140$z(OCoLC)1004912005$z(OCoLC)1042476256$z(OCoLC)1055339722$z(OCoLC)1066654387$z(OCoLC)1081230910 035 $a(OCoLC-P)939519611 035 $a(MaCbMITP)10325 035 $a(Au-PeEL)EBL4410137 035 $a(CaPaEBR)ebr11211470 035 $a(CaONFJC)MIL897492 035 $a(OCoLC)939519611 035 $a(EXLCZ)993710000000595800 100 $a20160216d2016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOf remixology $eethics and aesthetics after remix /$fDavid J. Gunkel 210 1$aCambridge, Massachusetts :$cThe MIT Press,$d[2016] 215 $a1 online resource (241 p.) 300 $aDescription based upon print version of record. 311 $a0-262-03393-3 320 $aIncludes bibliographical references and index. 327 $aContents; Preface; Acknowledgments; Introduction; Part I Premix; 1 Terminological Mix-Up; 2 For the Record; Part II Remix; 3 Simulation; 4 Repetition; 5 Promiscuous Bastards; Part III Postmix; 6 Rethinking Remix; 7 Remix(ing) Axiology; Notes; References; Index 330 $aA new theory of moral and aesthetic value for the age of remix, going beyond the usual debates over originality and appropriation. Remix--or the practice of recombining preexisting content--has proliferated across media both digital and analog. Fans celebrate it as a revolutionary new creative practice; critics characterize it as a lazy and cheap (and often illegal) recycling of other people's work. In Of Remixology, David Gunkel argues that to understand remix, we need to change the terms of the debate. The two sides of the remix controversy, Gunkel contends, share certain underlying values--originality, innovation, artistic integrity. And each side seeks to protect these values from the threat that is represented by the other. In reevaluating these shared philosophical assumptions, Gunkel not only provides a new way to understand remix, he also offers an innovative theory of moral and aesthetic value for the twenty-first century. In a section called "Premix," Gunkel examines the terminology of remix (including "collage," "sample," "bootleg," and "mashup") and its material preconditions, the technology of recording. In "Remix," he takes on the distinction between original and copy; makes a case for repetition; and considers the question of authorship in a world of seemingly endless recompiled and repurposed content. Finally, in "Postmix," Gunkel outlines a new theory of moral and aesthetic value that can accommodate remix and its cultural significance, remixing--or reconfiguring and recombining--traditional philosophical approaches in the process.--Publisher website. 606 $aAesthetics, Modern$y20th century 606 $aAesthetics, Modern$y21st century 606 $aEthics 606 $aArt$xMoral and ethical aspects 606 $aRemixes$xMiscellanea 610 $aPHILOSOPHY/General 610 $aDIGITAL HUMANITIES & NEW MEDIA/New Media Art 610 $aINFORMATION SCIENCE/Communications & Telecommunications 615 0$aAesthetics, Modern 615 0$aAesthetics, Modern 615 0$aEthics. 615 0$aArt$xMoral and ethical aspects. 615 0$aRemixes$xMiscellanea. 676 $a700.1 700 $aGunkel$b David J.$0888284 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910798182803321 996 $aOf remixology$93784860 997 $aUNINA