LEADER 04107nam 2200565 450 001 9910798177903321 005 20230126214044.0 010 $a1-62674-613-3 035 $a(CKB)3710000000603900 035 $a(EBL)4438728 035 $a(MiAaPQ)EBC4438728 035 $a(OCoLC)910475800 035 $a(MdBmJHUP)muse47257 035 $a(Au-PeEL)EBL4438728 035 $a(CaPaEBR)ebr11170711 035 $a(CaONFJC)MIL898302 035 $a(EXLCZ)993710000000603900 100 $a20160615h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 04$aThe music of multicultural America $eperformance, identity, and community in the United States /$fedited by Kip Lornell and Anne K. Rasmussen 210 1$aJackson, [Mississippi] :$cUniversity Press of Mississippi,$d2016. 210 4$dİ2016 215 $a1 online resource (404 p.) 225 1 $aAmerican Made Music Series 300 $aIncludes index. 311 $a1-62846-220-5 311 $a1-4968-0374-4 327 $aCover; Title Page; Copyright; Contents; Website and Acknowledgments; 1. Introduction; 2. Czech American Polka Music in Wisconsin; 3. Kitchen Racket, Ce?ili?, and Pub Session; Traditional Irish Music in Boston, Massachusetts; 4. Klezmer Music; The First One Thousand Years; 5. The Music of Arab Detroit; A Musical Mecca in the Midwest; 6. Mexican Mariachi Music; Made in the U.S.A.; 7. "Nimiidaa!" [Let's all dance!]; Music and Dance of the Northern Intertribal Powwow; 8. Waila; The Social Dance Music of the Tohono O'odham 327 $a9. Cultural Interaction in New Mexico as Illustrated in la Danza de Matachines10. Triangles, Squares, Ovals, and Diamonds; The "Fasola Folk" and Their Singing Tradition; 11. The Memphis African American Sacred Quartet Community; 12. "Pan Is We Ting"; West Indian Steelbands in Brooklyn; 13. From the Bayou to the Bay; Louisiana French Dance Music in Northern California; 14. "A Superior Race of Strong Women"; North Indian Classical Dance in the San Francisco Bay Area; 15. Sansei Voices in the Community; Japanese American Musicians in California; 16. Constructing Communities and Identities 327 $aRiot Grrrl New York CityIndex 330 $a"The music of multicultural America explores the intersection of performance, identity, and community in a wide range of musical expressions. Fifteen essays explore traditions that range from the Klezmer revival in New York, to Arab music in Detroit, to West Indian steelbands in Brooklyn, to Kathak music and dance in California, to Irish music in Boston, to powwows in the midwestern plains, to Hispanic and native musics of the Southwest borderlands. Many chapters demonstrate the processes involved in supporting, promoting, and reviving community music. Others highlight the ways in which such American institutions as city festivals or state and national folklife agencies come into play. Thirteen themes and processes outlined in the introduction unify the collection's fifteen case studies and suggest organizing frameworks for student projects. Due to the diversity of music profiled in the book--Mexican mariachi, African American gospel, Asian West Coast jazz, women's punk, French-American Cajun, and Anglo-American sacred harp--and to the methodology of fieldwork, ethnography, and academic activism described by the authors, the book is perfect for courses in ethnomusicology, world music, anthropology, folklore, and American studies"--$cProvided by publisher. 410 0$aAmerican made music series. 606 $aPopular music$zUnited States$xHistory and criticism 606 $aMusic$xSocial aspects$zUnited States 615 0$aPopular music$xHistory and criticism. 615 0$aMusic$xSocial aspects 676 $a780.973 702 $aLornell$b Kip$f1953- 702 $aRasmussen$b Anne K. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910798177903321 996 $aThe music of multicultural America$93855004 997 $aUNINA