LEADER 01421nam--2200445---450- 001 990000438200203316 005 20050623133724.0 010 $a0-7923-0202-4 035 $a0043820 035 $aUSA010043820 035 $a(ALEPH)000043820USA01 035 $a0043820 100 $a20010510d19841976km-y0itay0103----ba 101 $aspa 102 $aGB 105 $a||||||||001yy 200 1 $aFederico Garcia Lorca y las vanguardias$ehacia el teatro$fAntonio F. Cao 210 $aLondon$cTamesis books$dc1984 215 $a106 p.$d25 cm 225 2 $aColección Támesis$iSerie A$v112 410 $aColección Támesis$12001$iSerie A$v112 461 1$1001-------$12001 606 0 $aGarcia Lorca, Federico 606 0 $aLetteratura spagnola$xMovimenti d'avanguardia 676 $a861.62 700 1$aCAO,$bAntonio F.$0166465 801 0$aIT$bsalbc$gISBD 912 $a990000438200203316 951 $aVI.5.B. 142(II sp COLL. 19 112)$b127845 LM$cII sp COLL. 959 $aBK 969 $aUMA 979 $aPATTY$b90$c20010510$lUSA01$h1245 979 $c20020403$lUSA01$h1652 979 $aPATRY$b90$c20040406$lUSA01$h1630 979 $aCOPAT7$b90$c20050623$lUSA01$h1337 979 $aCHIARA$b90$c20140210$lUSA01$h1141 979 $aCHIARA$b90$c20140210$lUSA01$h1142 979 $aCHIARA$b90$c20140210$lUSA01$h1144 996 $aFederico Garcia Lorca y las vanguardias$9481621 997 $aUNISA LEADER 02221nam 2200589 450 001 9910798175703321 005 20230808191824.0 010 $a0-262-33410-0 010 $a0-262-33409-7 035 $a(CKB)3710000000602801 035 $a(EBL)4416296 035 $a(SSID)ssj0001623814 035 $a(PQKBManifestationID)16361943 035 $a(PQKBTitleCode)TC0001623814 035 $a(PQKBWorkID)14823500 035 $a(PQKB)10020150 035 $a(MiAaPQ)EBC4416296 035 $a(Au-PeEL)EBL4416296 035 $a(CaPaEBR)ebr11206777 035 $a(CaONFJC)MIL898359 035 $a(OCoLC)951065323 035 $a(EXLCZ)993710000000602801 100 $a20151016h20162016 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe early American daguerreotype $ecross-currents in art and technology /$fSarah Kate Gillespie 210 1$aCambridge, Massachusetts :$cMIT Press,$d[2016] 210 4$d©2016 215 $a1 online resource (227 p.) 225 1 $aLemelson center studies in invention and innovation 300 $aDescription based upon print version of record. 311 $a0-262-03410-7 320 $aIncludes bibliographical references and index. 327 $aContents; Foreword; Acknowledgments; Introduction; 1 "Rembrandt Perfected"; 2 "All Nature Shall Be Henceforth Its Own Painter"; 3 "We Will Not Bore Our Readers with Any More Chemistry"; 4 "The American Process"; Conclusion; Notes; Bibliography; Index 330 $aThe American daguerreotype as something completely new: a mechanical invention that produced an image, a hybrid of fine art and science and technology. 410 0$aLemelson Center studies in invention and innovation. 606 $aDaguerreotype$zUnited States$xHistory$y19th century 606 $aPhotographers$zUnited States$vBiography 615 0$aDaguerreotype$xHistory 615 0$aPhotographers 676 $a772/.12 700 $aGillespie$b Sarah Kate$01576861 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910798175703321 996 $aThe early American daguerreotype$93854985 997 $aUNINA