LEADER 06225nam 2201021 450 001 9910798074303321 005 20221212174523.0 010 $a0-271-07441-8 010 $a0-271-07225-3 024 7 $a10.1515/9780271072258 035 $a(CKB)3710000000459608 035 $a(SSID)ssj0001531764 035 $a(PQKBManifestationID)12581561 035 $a(PQKBTitleCode)TC0001531764 035 $a(PQKBWorkID)11472602 035 $a(PQKB)10327270 035 $a(OCoLC)966803319 035 $a(MdBmJHUP)muse55385 035 $a(MiAaPQ)EBC6224698 035 $a(DE-B1597)584374 035 $a(DE-B1597)9780271072258 035 $a(OCoLC)1262307861 035 $a(EXLCZ)993710000000459608 100 $a20201001h20102010 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aArt and Globalization /$fedited by James Elkins, Zhivka Valiavicharska, and Alice Kim 210 1$aPennsylvania :$cPennsylvania State University Press,$d[2010] 210 4$d©2010 215 $a1 online resource (x, 294 pages) $cillustrations, portraits 225 1 $aThe Stone art theory institutes ;$vVolume 1 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a0-271-03716-4 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tSeries Preface --$tFirst Introduction --$tSecond Introduction --$tThe Seminars --$t1. The national situation --$t2. Translation --$t3. The prehistory of globalization --$t4. Hybridity --$t5. Temporality --$t6. Postcolonial narratives --$t7. Neoliberalism --$t8. Four failures of the seminars --$t9. Universality --$tAssessments --$tGlobalism/Globalization --$tLetter on globalization --$tLetter on globalization --$tHybridization and the geopolitics of art --$tThe oxymoron of global art --$tCirculate, but without differences! --$tAcademic difficulties with ?convergence? : globalization and contemporary art --$tArt, globalization, and imperialism --$tNarratives of belonging: on the relation of the art institution and the changing nation-state --$tOriginality, universality, and other modernist myths --$tContemporary art, ?contemporaneity,? and world art history --$tSpeaking of modern and contemporary asian art --$tA distant view --$tGlobalization and transnational modernism --$tArt history and architecture?s aporia --$tSo what might be solved here? --$tPerspectives on scale: From the atomic to the universal --$tA remark on globalization in (east) Central Europe --$tGlobalization and (contemporary) art --$tThinking through shards of china --$tIn and out of the local --$tWhat?s wrong with global art? --$tglobal art history and transcultural studies --$tlooking for something --$tnomadic territories and times --$tDead parrot society --$tGeoaesthetic hierarchies: geography, geopolitics, global art, and coloniality --$tAfterword --$tNotes on the contributors --$tIndex 330 $aThe ?biennale culture? now determines much of the art world. Literature on the worldwide dissemination of art assumes nationalism and ethnic identity, but rarely analyzes it. At the same time there is extensive theorizing about globalization in political theory, cultural studies, postcolonial theory, political economy, sociology, and anthropology. Art and Globalization brings political and cultural theorists together with writers and historians concerned specifically with the visual arts in order to test the limits of the conceptualization of the global in art.Among the major writers on contemporary international art represented in this book are Rasheed Araeen, Joaquín Barriendos, Susan Buck-Morss, John Clark, Iftikhar Dadi, T. J. Demos, Néstor García Canclini, Charles Green, Suman Gupta, Harry Harootunian, Michael Ann Holly, Shigemi Inaga, Fredric Jameson, Caroline Jones, Thomas DaCosta Kaufmann, Anthony D. King, Partha Mitter, Keith Moxey, Saskia Sassen, Ming Tiampo, and C. J. W.-L. Wee.Art and Globalization is the first book in the Stone Art Theory Institutes Series. The five volumes, each on a different theoretical issue in contemporary art, build on conversations held in intensive, weeklong closed meetings. Each volume begins with edited and annotated transcripts of those meetings, followed by assessments written by a wide community of artists, scholars, historians, theorists, and critics. The result is a series of well-informed, contentious, open-ended dialogues about the most difficult theoretical and philosophical problems we face in rethinking the arts today.$c-- Jacket. 410 0$aStone art theory institutes (Series) ;$vVolume 1. 606 $aArt and globalization 606 $aPostcolonialism and the arts 610 $aAnthony D. King. 610 $aCaroline Jones. 610 $aCharles Green. 610 $aElkins. 610 $aFredric Jameson. 610 $aHarry Harootunian. 610 $aIftikhar Dadi. 610 $aJoaquín Barriendos. 610 $aJohn Clark. 610 $aKeith Moxey. 610 $aLiterature. 610 $aMichael Ann Holly. 610 $aNéstor García Canclini. 610 $aPartha Mitter. 610 $aRasheed Araeen. 610 $aShigemi Inaga. 610 $aSuman Gupta. 610 $aSusan Buck-Morss. 610 $aT. J. Demos. 610 $aThomas DaCosta Kaufmann. 610 $aValiavicharska. 610 $aanthropology. 610 $aart. 610 $abiennale culture. 610 $acultural studies. 610 $aethnic identity. 610 $aglobalization. 610 $akim. 610 $anationalism. 610 $apolitical economy. 610 $apolitical theory. 610 $apostcolonial theory. 610 $asociology. 615 0$aArt and globalization. 615 0$aPostcolonialism and the arts. 676 $a701.03 702 $aElkins$b James$f1955- 702 $aKim$b Alice 702 $aValiavicharska$b Zhivka 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910798074303321 996 $aArt and Globalization$93781442 997 $aUNINA