LEADER 02141nam 2200517 450 001 9910797997103321 005 20200520144314.0 010 $a1-4529-4494-6 035 $a(CKB)3710000000530100 035 $a(EBL)4391792 035 $a(MiAaPQ)EBC4391792 035 $a(Au-PeEL)EBL4391792 035 $a(CaPaEBR)ebr11152963 035 $a(CaONFJC)MIL876927 035 $a(OCoLC)933420385 035 $a(EXLCZ)993710000000530100 100 $a20160218h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aBecoming past $ehistory in contemporary art /$fJane Blocker 210 1$aMinneapolis, Minnesota ;$aLondon, [England] :$cUniversity of Minnesota Press,$d2016. 210 4$d2016 215 $a1 online resource (246 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-9698-5 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; Introduction: History as Prosthesis; One: Wooden Legs: Goat Island's Acts of Repair; Two: Houses Falling Down: Archival Violence in Steve McQueen's Deadpan; Three: Incorrect and Incomplete: Ross McElwee's Fictions and Samuel Delany's Lies; Four: The Empty Stage: A Story about the Past by Matthew Buckingham; Five: Stupid Birds: Temporal Dissidence in The Lastmaker; Six: Transitional Objects: Dario Robleto's Spools; Conclusion: Wooden Feet: Francis Aly?s and Syncopated Time; Acknowledgments; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V 327 $aWY 606 $aArts and history 606 $aArts, Modern$y20th century$xThemes, motives 606 $aArts, Modern$y21st century$xThemes, motives 615 0$aArts and history. 615 0$aArts, Modern$xThemes, motives. 615 0$aArts, Modern$xThemes, motives. 676 $a700.9 700 $aBlocker$b Jane$01482638 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797997103321 996 $aBecoming past$93700411 997 $aUNINA