LEADER 01782nam 2200553 450 001 9910797959203321 005 20230808213106.0 010 $a1-78241-445-2 035 $a(CKB)3710000000552076 035 $a(EBL)4307830 035 $a(SSID)ssj0001683028 035 $a(PQKBManifestationID)16508228 035 $a(PQKBTitleCode)TC0001683028 035 $a(PQKBWorkID)15037262 035 $a(PQKB)10821247 035 $a(MiAaPQ)EBC4307830 035 $a(Au-PeEL)EBL4307830 035 $a(CaPaEBR)ebr11138105 035 $a(CaONFJC)MIL884324 035 $a(OCoLC)935256370 035 $a(EXLCZ)993710000000552076 100 $a20160126h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aClinical dicta and contradicta $ethe therapy process from inside out and outside in /$fJohn C. Espy 210 1$aLondon, [England] :$cKarnac,$d2016. 210 4$dİ2016 215 $a1 online resource (123 p.) 225 1 $aThe Karnac Library 300 $aDescription based upon print version of record. 311 $a1-78220-371-0 327 $aCOVER; ACKNOWLEDGEMENTS; INTRODUCTION; PART ONE CLINICAL DICTA AND CONTRA DICTA; PART TWO VIGNETTES; PART THREE PROJECTIVE IDENTIFICATION AND SERIAL MURDER: THE MISSING LINK; POSTSCRIPT; ABOUT THE AUTHOR 410 4$aThe Karnac Library 606 $aPsychotherapy 606 $aProjective identification 615 0$aPsychotherapy. 615 0$aProjective identification. 676 $a616.8914 700 $aEspy$b John C.$0865852 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797959203321 996 $aClinical dicta and contradicta$93777270 997 $aUNINA LEADER 04473nam 2200997Ia 450 001 996248214103316 005 20240410062556.0 010 $a1-59734-925-9 010 $a1-282-35740-9 010 $a0-520-93082-7 010 $a9786612357404 024 7 $a10.1525/9780520930827 035 $a(CKB)1000000000007703 035 $a(EBL)222951 035 $a(OCoLC)475926795 035 $a(SSID)ssj0000253651 035 $a(PQKBManifestationID)11216060 035 $a(PQKBTitleCode)TC0000253651 035 $a(PQKBWorkID)10206739 035 $a(PQKB)10605300 035 $a(MiAaPQ)EBC222951 035 $a(DE-B1597)518782 035 $a(OCoLC)52856618 035 $a(DE-B1597)9780520930827 035 $a(Au-PeEL)EBL222951 035 $a(CaPaEBR)ebr10048994 035 $a(CaONFJC)MIL235740 035 $a(dli)HEB08159 035 $a(MiU)MIU01000000000000009851168 035 $a(EXLCZ)991000000000007703 100 $a20040405d2003 my 0 101 0 $aeng 135 $aurun#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aSundance to Sarajevo $efilm festivals and the world they made /$fKenneth Turan 205 $a1st ed. 210 $aBerkeley $cUniversity of California Press$d2003 215 $a1 online resource (216 p.) 300 $aDescription based upon print version of record. 311 0 $a0-520-21867-1 311 0 $a0-520-24072-3 327 $tFront matter --$tCONTENTS --$tAcknowledgments --$tIntroduction --$tPart One: Festivals with Business Agendas --$tPart Two: Festivals with Geopolitical Agendas --$tPart Three: Festivals with Aesthetic Agendas --$tPart Four: The Politics of Festivals 330 $aAlmost every day of the year a film festival takes place somewhere in the world--from sub-Saharan Africa to the Land of the Midnight Sun. Sundance to Sarajevo is a tour of the world's film festivals by an insider whose familiarity with the personalities, places, and culture surrounding the cinema makes him uniquely suited to his role. Kenneth Turan, film critic for the Los Angeles Times, writes about the most unusual as well as the most important film festivals, and the cities in which they occur, with an eye toward the larger picture. His lively narrative emphasizes the cultural, political, and sociological aspects of each event as well as the human stories that influence the various and telling ways the film world and the real world intersect. Of the festivals profiled in detail, Cannes and Sundance are obvious choices as the biggest, brashest, and most influential of the bunch. The others were selected for their ability to open a window onto a wider, more diverse world and cinema's place in it. Sometimes, as with Sarajevo and Havana, film is a vehicle for understanding the international political community's most vexing dilemmas. Sometimes, as with Burkina Faso's FESPACO and Pordenone's Giornate del Cinema Muto, it's a chance to examine the very nature of the cinematic experience. But always the stories in this book show us that film means more and touches deeper chords than anyone might have expected. No other book explores so many different festivals in such detail or provides a context beyond the merely cinematic. 606 $aFilm festivals 606 $aPerforming arts festivals 610 $aacademic. 610 $aactors. 610 $aaward winning films. 610 $acannes. 610 $acinema studies. 610 $acinematic. 610 $acultural studies. 610 $aculture. 610 $adirectors. 610 $afilm critic. 610 $afilm criticism. 610 $afilm festival. 610 $afilm history. 610 $afilm studies. 610 $ahistory of film. 610 $ainfluential. 610 $ainternational. 610 $aland of the midnight sun. 610 $apolitical. 610 $asahara desert. 610 $asarajevo. 610 $ascholarly. 610 $asocial studies. 610 $asociology. 610 $asub saharan africa. 610 $asundance. 615 0$aFilm festivals. 615 0$aPerforming arts festivals. 676 $a791.43/079 676 $a791.43 686 $aAP 42200$qBVB$2rvk 700 $aTuran$b Kenneth$01020855 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996248214103316 996 $aSundance to Sarajevo$92416376 997 $aUNISA