LEADER 02050nam 2200493 450 001 9910797862503321 005 20230126213632.0 010 $a1-4438-8563-0 035 $a(CKB)3710000000498461 035 $a(EBL)4534989 035 $a(MiAaPQ)EBC4534989 035 $a(Au-PeEL)EBL4534989 035 $a(CaPaEBR)ebr11215996 035 $a(CaONFJC)MIL845812 035 $a(OCoLC)927160071 035 $a(FINmELB)ELB148871 035 $a(EXLCZ)993710000000498461 100 $a20160621h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aReinventing sound $emusic and audiovisual culture /$fedited by Enrique Encabo 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2015. 210 4$dİ2015 215 $a1 online resource (247 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-8105-8 320 $aIncludes bibliographical references at the end of each chapters. 330 $aRecent years have witnessed a true technological revolution with a global impact upon all areas of society, from entertainment to education. Technology, changing and evolving at increasing speed, undoubtedly shapes ways of seeing the world, something which requires profound reflection in terms of how reality is understood. It is undeniable that in this audiovisual world music plays a leading and prominent role. This is particularly notable when considering the importance of music in relation to the way it is featured on mobile devices and as manifested in terms of other communication technolog 606 $aMusic and technology 606 $aMusic$xSocial aspects 615 0$aMusic and technology. 615 0$aMusic$xSocial aspects. 676 $a780.06 702 $aEncabo$b Enrique 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797862503321 996 $aReinventing sound$93743050 997 $aUNINA