LEADER 03833nam 22006015 450 001 996418184703316 005 20200704183326.0 010 $a3-030-42101-5 024 7 $a10.1007/978-3-030-42101-4 035 $a(CKB)4920000000496068 035 $a(DE-He213)978-3-030-42101-4 035 $a(MiAaPQ)EBC6187229 035 $a(PPN)243761406 035 $a(EXLCZ)994920000000496068 100 $a20200428d2020 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGeometry: from Isometries to Special Relativity$b[electronic resource] /$fby Nam-Hoon Lee 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2020. 215 $a1 online resource (XIII, 258 p. 92 illus., 18 illus. in color.) 225 1 $aUndergraduate Texts in Mathematics,$x0172-6056 311 $a3-030-42100-7 320 $aIncludes bibliographical references and index. 327 $aEuclidean Plane -- Sphere -- Stereographic Projection and Inversions -- Hyperbolic Plane -- Lorentz-Minkowski Plane -- Geometry of Special Relativity -- Answers to Selected Exercises -- Index. 330 $aThis textbook offers a geometric perspective on special relativity, bridging Euclidean space, hyperbolic space, and Einstein?s spacetime in one accessible, self-contained volume. Using tools tailored to undergraduates, the author explores Euclidean and non-Euclidean geometries, gradually building from intuitive to abstract spaces. By the end, readers will have encountered a range of topics, from isometries to the Lorentz?Minkowski plane, building an understanding of how geometry can be used to model special relativity. Beginning with intuitive spaces, such as the Euclidean plane and the sphere, a structure theorem for isometries is introduced that serves as a foundation for increasingly sophisticated topics, such as the hyperbolic plane and the Lorentz?Minkowski plane. By gradually introducing tools throughout, the author offers readers an accessible pathway to visualizing increasingly abstract geometric concepts. Numerous exercises are also included with selected solutions provided. Geometry: from Isometries to Special Relativity offers a unique approach to non-Euclidean geometries, culminating in a mathematical model for special relativity. The focus on isometries offers undergraduates an accessible progression from the intuitive to abstract; instructors will appreciate the complete instructor solutions manual available online. A background in elementary calculus is assumed. 410 0$aUndergraduate Texts in Mathematics,$x0172-6056 606 $aHyperbolic geometry 606 $aConvex geometry  606 $aDiscrete geometry 606 $aMathematical physics 606 $aHyperbolic Geometry$3https://scigraph.springernature.com/ontologies/product-market-codes/M21030 606 $aConvex and Discrete Geometry$3https://scigraph.springernature.com/ontologies/product-market-codes/M21014 606 $aTheoretical, Mathematical and Computational Physics$3https://scigraph.springernature.com/ontologies/product-market-codes/P19005 615 0$aHyperbolic geometry. 615 0$aConvex geometry . 615 0$aDiscrete geometry. 615 0$aMathematical physics. 615 14$aHyperbolic Geometry. 615 24$aConvex and Discrete Geometry. 615 24$aTheoretical, Mathematical and Computational Physics. 676 $a516 700 $aLee$b Nam-Hoon$4aut$4http://id.loc.gov/vocabulary/relators/aut$01015189 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996418184703316 996 $aGeometry: from Isometries to Special Relativity$92369396 997 $aUNISA LEADER 04407nam 2200637 450 001 9910797796803321 005 20230807193645.0 010 $a1-4773-0741-9 024 7 $a10.7560/307403 035 $a(CKB)3710000000491755 035 $a(EBL)4401776 035 $a(SSID)ssj0001570137 035 $a(PQKBManifestationID)16221927 035 $a(PQKBTitleCode)TC0001570137 035 $a(PQKBWorkID)12885595 035 $a(PQKB)11733099 035 $a(MiAaPQ)EBC4401776 035 $a(DE-B1597)587024 035 $a(DE-B1597)9781477307410 035 $a(EXLCZ)993710000000491755 100 $a20160915h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDirty words & filthy pictures $efilm and the First Amendment /$fJeremy Geltzer ; foreword by Alex Kozinski 205 $aFirst edition. 210 1$aAustin, [Texas] :$cUniversity of Texas Press,$d2015. 210 4$d©2015 215 $a1 online resource (385 p.) 300 $aDescription based upon print version of record. 311 $a1-4773-0740-0 320 $aIncludes bibliographical references and index. 327 $aBoxing, porn, and the beginnings of movie censorship -- The rise of salacious cinema -- State regulations emerge -- Mutual and the capacity for evil -- War, nudity, and birth control -- Self-regulation reemerges -- Midnight movies and sanctioned cinema -- Sound enters the debate -- Tension increases between free speech and state censorship -- Threats from abroad and domestic disturbances -- Outlaws and miracles -- State censorship statutes on the defense -- Devil in the details : film and the Fourth and Fifth Amendments -- Dirty words : profanity and the patently offensive -- Filthy pictures : obscenity from nudie cuties to fetish films -- The porno chic : from Danish loops to Deep throat -- Just not here : content regulation through zoning -- Is censorship necessary? -- The politics of profanity. 330 $aFrom the earliest days of cinema, scandalous films such as The Kiss (1896) attracted audiences eager to see provocative images on screen. With controversial content, motion pictures challenged social norms and prevailing laws at the intersection of art and entertainment. Today, the First Amendment protects a wide range of free speech, but this wasn?t always the case. For the first fifty years, movies could be censored and banned by city and state officials charged with protecting the moral fabric of their communities. Once film was embraced under the First Amendment by the Supreme Court?s Miracle decision in 1952, new problems pushed notions of acceptable content even further. Dirty Words & Filthy Pictures explores movies that changed the law and resulted in greater creative freedom for all. Relying on primary sources that include court decisions, contemporary periodicals, state censorship ordinances, and studio production codes, Jeremy Geltzer offers a comprehensive and fascinating history of cinema and free speech, from the earliest films of Thomas Edison to the impact of pornography and the Internet. With incisive case studies of risqué pictures, subversive foreign films, and banned B-movies, he reveals how the legal battles over film content changed long-held interpretations of the Constitution, expanded personal freedoms, and opened a new era of free speech. An important contribution to film studies and media law, Geltzer?s work presents the history of film and the First Amendment with an unprecedented level of detail. 517 3 $aDirty words and filthy pictures 606 $aMotion pictures$xCensorship$zUnited States 606 $aMotion pictures$xLaw and legislation$zUnited States 606 $aMotion picture industry$xLaw and legislation$zUnited States 606 $aMotion pictures$xHistory 606 $aFreedom of speech$zUnited States 615 0$aMotion pictures$xCensorship 615 0$aMotion pictures$xLaw and legislation 615 0$aMotion picture industry$xLaw and legislation 615 0$aMotion pictures$xHistory. 615 0$aFreedom of speech 676 $a791.43 700 $aGeltzer$b Jeremy$f1969-$01580126 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797796803321 996 $aDirty words & filthy pictures$93860804 997 $aUNINA