LEADER 02443nam 2200577 450 001 9910797733003321 005 20170918174259.0 010 $a1-61148-725-0 035 $a(CKB)3710000000514606 035 $a(EBL)4097306 035 $a(OCoLC)932332362 035 $a(SSID)ssj0001580996 035 $a(PQKBManifestationID)16258622 035 $a(PQKBTitleCode)TC0001580996 035 $a(PQKBWorkID)14861650 035 $a(PQKB)10959790 035 $a(MiAaPQ)EBC4097306 035 $a(PPN)195584627 035 $a(EXLCZ)993710000000514606 100 $a20151211h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aActing up $estaging the subject in Enlightenment France /$fJeffrey M. Leichman 210 1$aLewisburg, Pennsylvania :$cBucknell University Press,$d2016. 210 4$dİ2016 215 $a1 online resource (287 p.) 225 0 $aSce?nes Francophones 300 $aDescription based upon print version of record. 311 $a1-61148-724-2 320 $aIncludes bibliographical references and index. 327 $aCONTENTS; ACKNOWLEDGMENTS; ABBREVIATIONS; INTRODUCTION; Ch01. FROM VIRTUE TO VIRTUOSITY; Ch02. GOOD ACTING, ACTING GOOD; Ch03. LE PARADOXE DU RE?PUBLICAIN; Ch04. SOVEREIGN ACTORS; Ch05. OF CITIZENS AND SLAVES; Ch06. OVERTHROWING ACTING; CONCLUSION; NOTES; BIBLIOGRAPHY; INDEX 330 $aActing Up argues for the importance of theatrical acting to the development of modern subjectivity in Enlightenment France. Leichman weaves together literary studies, cultural studies, and performance studies, looking at the ways in which esthetic treatises, dramatic texts, religious tracts, theories of acting, political polemics, and philosophical writings consistently figure the actor and the art of portraying a character on stage as the era's most promising, and problematic, model of selfhood. 410 0$aSce?nes Francophones 606 $aTheater$zFrance$xHistory$y18th century 606 $aActing$xHistory$y18th century 606 $aActors$zFrance 615 0$aTheater$xHistory 615 0$aActing$xHistory 615 0$aActors 676 $a792.0944/09033 700 $aLeichman$b Jeffrey M.$f1975-$01479476 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797733003321 996 $aActing up$93695608 997 $aUNINA