LEADER 02332nam 2200541 450 001 9910797697803321 005 20170919045025.0 010 $a1-61147-844-8 035 $a(CKB)3710000000468818 035 $a(EBL)4086679 035 $a(SSID)ssj0001544228 035 $a(PQKBManifestationID)16136051 035 $a(PQKBTitleCode)TC0001544228 035 $a(PQKBWorkID)14566879 035 $a(PQKB)11774176 035 $a(MiAaPQ)EBC4086679 035 $a(EXLCZ)993710000000468818 100 $a20150709h20152015 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDouble Shakespeares $eemotional-realist acting and contemporary performance /$fCary M. Mazer 210 1$aMadison :$cFairleigh Dickinson University Press,$d[2015] 210 4$dİ2015 215 $a1 online resource (215 p.) 225 1 $aShakespeare and the stage 300 $aDescription based upon print version of record. 311 $a1-61147-845-6 311 $a1-61147-843-X 320 $aIncludes bibliographical references and index. 327 $aIntroduction: The anxiety of identity -- Doubleness: Double selves. Undoubling and redoubling. Double bodies -- Double narratives: Double fictions. Double memoirs -- Double plays: Frames. Three scripts, three productions, six plays -- "Wounds invisible": An epilogue. 330 $aDouble Shakespeares examines contemporary performances of Shakespeare's plays, and narratives about rehearsing and performing Shakespeare's plays, that acknowledge the inescapable doubleness of "emotional-realist" acting, either by embracing the double presence of the actor's body, or by splitting the play into a play-within-a-play and a frame play showing us the actors rehearsing and performing the Shakespearean play inside. 410 0$aShakespeare and the stage (Fairleigh Dickinson University Press) 606 $aActing$xPhilosophy 606 $aShakespearean actors and actresses 615 0$aActing$xPhilosophy. 615 0$aShakespearean actors and actresses. 676 $a792.02/801 700 $aMazer$b Cary M.$0702851 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797697803321 996 $aDouble Shakespeares$93723544 997 $aUNINA