LEADER 02134nam 2200505 450 001 9910797629803321 005 20230807193449.0 010 $a1-4438-8189-9 035 $a(CKB)3710000000485963 035 $a(EBL)4534730 035 $a(MiAaPQ)EBC4534730 035 $a(Au-PeEL)EBL4534730 035 $a(CaPaEBR)ebr11215750 035 $a(CaONFJC)MIL839012 035 $a(OCoLC)925303414 035 $a(EXLCZ)993710000000485963 100 $a20160623h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aRecovery and transgression $ememory in American poetry /$fedited by Kornelia Freitag 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2015. 210 4$dİ2015 215 $a1 online resource (348 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-8045-0 320 $aIncludes bibliographical references. 330 $aThere is no poetry without memory. Recovery and Transgression: Memory in American Poetry is devoted to the ways in which poetic texts shape, and are shaped by, personal, collective, and cultural memory. It looks at the manifold and often transgressive techniques through which the past is recovered and repurposed in poetry. T.S. Eliot's "The Waste Land," Susan Howe's THIS THAT, Lyn Hejinian's Writing Is an Aid to Memory, John Tranter's "The Anaglyph," Amiri Baraka's "Somebody Blew Up America," and Amy Clampitt's "Nothing Stays Put" are only some of the texts discussed in this volume by a group 606 $aMemory in literature 606 $aHistory in literature 606 $aAmerican poetry$y20th century$xHistory and criticism 615 0$aMemory in literature. 615 0$aHistory in literature. 615 0$aAmerican poetry$xHistory and criticism. 676 $a820.935842 702 $aFreitag$b Kornelia 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797629803321 996 $aRecovery and transgression$93823692 997 $aUNINA