LEADER 02344nam 2200553 450 001 9910797629203321 005 20200520144314.0 010 $a1-4438-8329-8 035 $a(CKB)3710000000485959 035 $a(EBL)4534829 035 $a(Au-PeEL)EBL4534829 035 $a(CaPaEBR)ebr11215845 035 $a(CaONFJC)MIL839007 035 $a(OCoLC)951223537 035 $a(OCoLC)980577724 035 $a(FINmELB)ELB149928 035 $a(MiAaPQ)EBC4534829 035 $a(BIP)051200086 035 $a(EXLCZ)993710000000485959 100 $a20160623h20152015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aPhotography and cinema $e50 years of Chris Marker's La Jetee /$fedited by Margarida Medeiros, Teresa Mendes Flores and Joana Cunha Leal 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2015. 210 4$d2015 215 $a1 online resource (338 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-7201-6 320 $aIncludes bibliographical references at the end of each chapters and index. 330 $aEclecticism seems to be one of the most recognized features of Chris Marker's work.He is often presented as a filmmaker and a photographer, a poet, a translator, a cartoonist, a visual artist, an editor, a software designer and a television and video director. Given the 50 years since the release of his most well-known film, La Jete?e (1963), this volume fosters discussion of the intertwining of photography and cinema within a framework that analyses Marker's influence in film and photography's scholarship.In the last ten years, many books have been published on the subjects of photography and 606 $aScience fiction films$xHistory and criticism 610 $aMOTION PICTURES 610 $aPHOTOGRAPHY 610 $aPERFORMING ARTS 615 0$aScience fiction films$xHistory and criticism. 676 $a791.430233092 700 $aFlores$b M. Teresa$01558887 702 $aMedeiros$b Margarida$4edt 702 $aLeal$b Cunha Joana 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797629203321 996 $aPhotography and cinema$93823686 997 $aUNINA