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035   $a(EBL)2121690
035   $a(OCoLC)916529754
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035   $a(PQKBManifestationID)16141130
035   $a(PQKBTitleCode)TC0001546479
035   $a(PQKBWorkID)14796082
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100   $a20190124d2015      uy             0
101 0 $aeng
135   $aur|||||||nn|n
181   $ctxt
182   $cc
183   $acr
200 14$aThe swamps /$fEkpe Inyang
210  1$aMankon, Bamenda :$cLangaa Research & Publishing CIG,$d[2015]
210  4$dİ2015
215   $a1 online resource (86 p.)
300   $aDescription based upon print version of record.
311   $a9956-762-38-5 
327   $a""Cover""; ""Title page""; ""Copyright page""; ""Foreword""; ""Characters in the Play""; ""Play""; ""Back cover""
330   $aThe Swamps presents a debauched tapestry of an utterly dehumanised Cameroonian society seeking regeneration through a judicious deployment of myth, history, parables, song, mimicry and dance. The inclusion of these features of orature in this political allegory creates particular moods and atmospheres and lends colour and movement to dramatic action. The structure and function of the play defines the individual's identity within the cosmic context which approximates the past and present. Inyang's analysis of class political behaviour in Cameroon exposes the complete erosion of civil liberties by corrupt and venal elite. He impresses the theatre audience with his dramatic eloquence and the fervour of his commitment, and emblazones his name in the front ranks of alternative theatre. This is a rare theatrical gem that demonstrates a brilliant, sustained invention, with great depth and suggestive power.
606   $aPolitical culture$zCameroon
606   $aPolitical participation$zCameroon
615  0$aPolitical culture
615  0$aPolitical participation
676   $a320.96711
700   $aInyang$b Ekpe$f1963-$01510332
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910797597503321
996   $aThe swamps$93742910
997   $aUNINA