LEADER 03809nam 2200757 450 001 9910797569503321 005 20200903223051.0 010 $a3-11-033176-4 010 $a3-11-038228-8 024 7 $a10.1515/9783110331769 035 $a(CKB)3710000000469435 035 $a(EBL)1809925 035 $a(SSID)ssj0001497094 035 $a(PQKBManifestationID)12647258 035 $a(PQKBTitleCode)TC0001497094 035 $a(PQKBWorkID)11488611 035 $a(PQKB)10858957 035 $a(MiAaPQ)EBC1809925 035 $a(DE-B1597)212931 035 $a(OCoLC)919297750 035 $a(DE-B1597)9783110331769 035 $a(Au-PeEL)EBL1809925 035 $a(CaPaEBR)ebr11094195 035 $a(CaONFJC)MIL824892 035 $a(PPN)18962907X 035 $a(EXLCZ)993710000000469435 100 $a20150609h20152015 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe emperor's house $epalaces from Augustus to the age of absolutism /$fedited by Michael Featherstone, Jean-Michel Spieser, Gu?lru Tanman and Ulrike Wulf-Rheidt 210 1$aBoston :$cDe Gruyter,$d[2015] 210 4$dİ2015 215 $a1 online resource (436 p.) 225 1 $aUrban spaces,$x2194-4857 ;$vBand 4 300 $aDescription based upon print version of record. 311 $a3-11-033177-2 311 $a3-11-033163-2 320 $aIncludes bibliographical references and index. 327 $aAntiquity and Late Antiquity -- The Middle Ages in the West -- The Middle Ages in the East -- The Renaissance, Absolutism and the Ottoman World -- The Renaissance, Absolutism and the Ottoman World -- Epilogue. 330 $aEvolving from a patrician domus, the emperor's residence on the Palatine became the centre of the state administration. Elaborate ceremonial regulated access to the imperial family, creating a system of privilege which strengthened the centralised power. Constantine followed the same model in his new capital, under a Christian veneer. The divine attributes of the imperial office were refashioned, with the emperor as God's representative. The palace was an imitation of heaven.Following the loss of the empire in the West and the Near East, the Palace in Constantinople was preserved ? subject to the transition from Late Antique to Mediaeval conditions ? until the Fourth Crusade, attracting the attention of Visgothic, Lombard, Merovingian, Carolingian, Norman and Muslim rulers. Renaissance princes later drew inspiration for their residences directly from ancient ruins and Roman literature, but there was also contact with the Late Byzantine court. Finally, in the age of Absolutism the palace became again an instrument of power in vast centralised states, with renewed interest in Roman and Byzantine ceremonial.Spanning the broadest chronological and geographical limits of the Roman imperial tradition, from the Principate to the Ottoman empire, the papers in the volume treat various aspects of palace architecture, art and ceremonial. 410 0$aUrban spaces (Walter de Gruyter & Co.) ;$vBd. 4. 606 $aPalaces 606 $aEmperors$xDwellings 606 $aSymbolism in architecture 610 $aPalace. 610 $apalace architecture. 610 $aplaces of power. 615 0$aPalaces. 615 0$aEmperors$xDwellings. 615 0$aSymbolism in architecture. 676 $a725/.1709 686 $aNK 4920$2rvk 702 $aFeatherstone$b Michael$f1956- 702 $aSpieser$b J.-M 702 $aTanman$b Gu?lru 702 $aWulf-Rheidt$b Ulrike 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797569503321 996 $aThe emperor's house$92399934 997 $aUNINA