LEADER 01904nam 2200529 450 001 9910797534203321 005 20180731045421.0 010 $a1-78348-048-3 035 $a(CKB)3710000000471302 035 $a(EBL)4045020 035 $a(SSID)ssj0001544673 035 $a(PQKBManifestationID)16133309 035 $a(PQKBTitleCode)TC0001544673 035 $a(PQKBWorkID)12754395 035 $a(PQKB)11590860 035 $a(MiAaPQ)EBC4045020 035 $a(EXLCZ)993710000000471302 100 $a20160216h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLiving screens $emelodrama and plasticity in contemporary film and television /$fMonique Rooney 210 1$aLondon, [England] ;$aNew York, New York :$cRowman & Littlefield International,$d2015. 210 4$dİ2015 215 $a1 online resource (209 p.) 225 1 $aDisruptions 300 $aDescription based upon print version of record. 311 $a1-78348-047-5 311 $a1-78348-046-7 320 $aIncludes bibliographical references and index. 330 $aThrough original analysis of three digital-age, auteur-directed melodramas (Matthew Weiner's Mad Men, Lars von Trier's Melancholia and Todd Haynes's Mildred Pierce), Living Screens explores the "plasticity" of our current situation in which we live with screens that melodramatically touch our lives. 410 0$aDisruptions (London, England) 606 $aMelodrama in motion pictures 606 $aMelodrama on television 615 0$aMelodrama in motion pictures. 615 0$aMelodrama on television. 676 $a791.43/653 700 $aRooney$b Monique$f1968-$01480351 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797534203321 996 $aLiving screens$93696949 997 $aUNINA